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From R&B heartthrob to powerhouse creative, Marques Houston has been captivating audiences for more than three decades. From his days serenading us with Immature  and IMX  to his breakout TV role as Roger on Sister, Sister , Houston has evolved into an unstoppable storyteller. And with his latest project, the gripping sci-fi thriller RUN, he’s proving he’s nowhere near done rewriting the script. RUN   — from Footage Films — hits theaters August 29th and takes audiences on a wild ride filled with suspense, action, and unexpected twists. Words by Angel Neal Marques not only stars as Andre, a man forced to make an unthinkable sacrifice for love, but he also co-wrote the film, blending heart-pounding survival with emotional storytelling in a way that keeps you on the edge of your seat. Today , we’r e diving into his creative process, what it took to bring RUN  to life, and how he continues to reinvent himself — both in film and in music. “This film is about pushing limits — for the characters and for me as a creator,” Marques tells Disrupshion Magazine. “I wanted to challenge myself, to tell a story that makes people sit up and really think, ‘What would I do in this situation?’” Directed and written by longtime collaborator Chris Stokes, RUN brings together the creative powerhouse behind Footage Films. Stokes and Houston have built a reputation for delivering bold, unexpected stories, and this project is no exception. “Chris and I have worked together for years,” Marques shares. “He knows how to craft suspense and tension in a way that really keeps audiences locked in. With RUN, he pushed us all creatively — it’s a ride from start to finish.” The film’s synergy between Stokes’ direction and Houston’s production vision, combined with the powerhouse performances from— dives headfirst into high-stakes suspense, following a man caught in a deadly game of survival where nothing is as it seems. “It’s definitely the most intense project I’ve been part of,” he admits. “We wanted to blend action, sci-fi, and emotion in a way that feels fresh. It’s not just about explosions — it’s about humanity, choices, and consequences.” RUN isn’t just packed with suspense — it delivers a cinematic nod to classic horror and thriller traditions, including a touch of scream queen energy. Houston was intentional about casting powerful female leads like Drew Sidora, Erica Mena, Claudia Jordan, Erica Pinkett, and Annie Ilonzeh to bring intensity and depth to the film’s most high-stakes moments. “I’ve always loved those classic thriller vibes,” Marques says, smiling. “We wanted the women in this film to be strong, layered, and unforgettable — not just victims, but forces that drive the story forward.” He credits the cast for elevating RUN into more than just a survival story: “When you’ve got actresses like Drew, Erica, and Annie, you know you’re working with talent that can deliver emotion and edge. They brought that scream-queen energy but flipped it on its head — they’re not running from the danger, they’re redefining it.” This gives the film a stylish balance between adrenaline-pumping thrills and female-driven power, making RUN feel just as unpredictable as it is cinematic. But beyond the big-screen adrenaline, RUN is another milestone in Houston’s ongoing transformation from performer to power player. Over the years, he’s built a reputation for taking creative control of his career, directing, producing, and writing stories that reflect his evolving perspective. “I’ve been blessed to grow up in this industry, and now I’m focused on creating opportunities — for myself, for my team, and for other creatives who look like me,” he says. “At this point, it’s bigger than just me.” Still, fans of his music days shouldn’t worry — Houston hasn’t forgotten where he came from. He credits his early years in R&B with teaching him discipline, storytelling, and how to connect emotionally with audiences. Those skills, he says, are just as vital on set as they are in the studio. As for what’s next, Houston hints that RUN is only the beginning of a bigger vision for Footage Films and the types of projects he wants to bring to life. “We’re building something special,” he teases. “Stories that are different, stories that hit home — that’s what drives me now.” Marques Houston continues to push creative boundaries and keep us guessing at what he’ll do next. With RUN hitting theaters August 29th, audiences can expect an emotional, action-packed ride that proves he’s just as powerful behind the camera as he is on-screen. And with new music on the way — including his latest single ‘Hold On’ featuring Kodak Black — Marques shows no signs of slowing down. Whether it’s music, movies, or storytelling, one thing’s for sure: this next chapter of his career is only just beginning.

When Tommy Miles — better known as “Nephew Tommy” — walks into a room, he doesn’t just host; he commands the vibe. For ten seasons, the smooth-talking matchmaker has been the heartbeat of OWN’s hit dating series Ready to Love , guiding singles in their 30s and 40s through the messy, magical journey of finding real connection. Now celebrating a staggering 150 episodes, Tommy reflects on why audiences keep showing up — and why, when it comes to Black love, authenticity still wins every time. Tommy can’t hide his excitement when we bring up the milestone. “This is big. One hundred and fifty episodes — that’s nothing to take lightly,” he says with a grin. “Season one in Atlanta, I would’ve never thought we’d be here. This is a blessing.” For Tommy, the secret sauce behind Ready to Love ’s staying power is simple: realness. The show resonates because the cast reflects a familiar spectrum of modern love stories. “We’ve got people in their mid-30s, 40s, even late 40s,” he explains. “Folks who’ve been through heartbreak, career shifts, detours — people who’ve hit bumps and bruises but are still out here believing in love. That’s why viewers connect. They see themselves, their friends, their girlfriends, their cousins on that screen.” And Tommy’s right. Ready to Love doesn’t just showcase romance; it mirrors the audience back to themselves. “When you’re watching the show,” Tommy laughs, “you see someone and go, ‘Oh my God, that’s my girlfriend acting just like that,’ or, ‘I know a brother who trips exactly like that.’ It’s real — that’s us.” Throughout the interview, Tommy drops wisdom that feels part uncle, part coach, part best friend. When we ask about singles trying to find love later in life, he doesn’t hesitate. “The first thing? Patience,” he says firmly. “A lot of us find something, but that don’t mean we found it. You gotta unpack the bag, piece by piece. Everything shiny ain’t for you. Take your time, figure out what you can live with and what you can’t.” In today’s swipe-right culture, Tommy stresses that slowing down and staying grounded is key — especially for people reentering the dating scene after years away. And one thing he thinks everyone could do better? Communicate. “Let’s try talking face-to-face again,” he says. “We get lost in texting, lost on social media. Back in the day, we’d stay up all night on the phone, just talking. That was how you got to really know somebody. You can’t understand somebody’s heart in a DM.” Every season brings a new city, and when we talk about filming in Philadelphia, Tommy lights up. “One thing about Philly? They’re coming — and they’re coming for real,” he says. “The singles there, they ain’t playing. They’re direct, they know what they want, and they bring that energy.” As for the larger conversation about Black love on TV, Tommy gets reflective.“We get to see ourselves,” he says. “We get to see Black love unfold right there in front of our faces — the ups, the downs, the raw truth of it. That’s important. That’s why people tune in.” After a decade of matchmaking, Tommy hasn’t lost his sense of humor — or his optimism. For him, love is still worth the risk, the work, and yes, the patience. “At the end of the day, everybody wants the same thing,” he says, leaning back with a smile. “Somebody who sees you, gets you, and chooses you. That’s what Ready to Love is all about.” Season 10 may mark a milestone, but for Tommy, it’s just the next chapter in helping singles — and viewers — believe in love all over again. Catch Ready to Love Season 10 airing Fridays at 8/7 c on OWN, The Oprah Winfrey Network — now through the fall. Don’t miss the 150th-episode milestone airing on September 26 at 8/7 c. Trust us, you’ll want to be in the audience for that one.

From gracing the stage as a Grammy-nominated vocalist to now helming a rising spirits empire, Melky Jean isn’t just evolving — she’s rewriting the rules. Her latest venture, Saint Savoir 1972 , is more than a premium rum brand. It’s a living tribute to legacy, identity, and the power of reinvention. Photo by: Jaypix photography  Words by Angel Neal We sat down with Melky to talk about her leap from music to entrepreneurship, the inspiration behind her brand, and how she's using her platform to uplift others — all while crafting one of the most exciting new spirits on the market. Before launching her own label, Melky spent years championing the visions of others. “I’ve spent the last 20 years promoting other people’s brands,” she shares. “Throwing incredible parties, hosting unforgettable events — brands knew who I was and would tap me to promote them.” But over time, she realized it was her own story that needed telling. “A light bulb went off. I knew I needed to create my own spirit brand,” she recalls. “It wasn’t an overnight decision. I’ve been working on this for 10 years — but in the last two or three years, it finally came home.” While the industries may differ, Melky sees undeniable parallels between her music career and entrepreneurial journey. “The number one lesson? You need a great team,” she says. “No artist can do it all alone — you can’t be the producer, the label, the lawyer, and the promoter. It’s the same in business. Surround yourself with the right people.” Being an artist, she says, taught her how to build something from scratch — a mindset that’s been crucial in founding Saint Savoir 1972 . At its core, Saint Savoir 1972 is a deeply personal homage to Melky’s Haitian-American identity. “Growing up, I wasn’t American enough for America, and not Haitian enough for Haitians. I didn’t speak Creole fluently,” she explains. “But I wanted to tell a story that brought us together — one that honored the beauty of our dual identity.” The brand’s name carries profound significance: Saint Savoir was the first documented Haitian refugee ship to land on U.S. shores in 1972 — the same year Melky’s mother arrived in America. “It’s a tribute to our resilience and legacy.” The brand’s logo tells a powerful story — a portrait of three generations of Haitian women. “That’s my grandmother on the bottle. She made moonshine in Haiti. My mother makes Haitian cremas. And now, I make rum.” She calls them “three generations of women in spirits,” emphasizing the continuity and evolution of tradition. Each bottle of Saint Savoir is infused with matriarchal magic — a blend of heritage, innovation (the label was designed using AI), and purpose. So what does Saint Savoir 1972 taste like? “Expect the unexpected,” Melky says with a smile. “Our two-year is incredibly smooth — people sip it straight, in shots, or in cocktails. The four-year is bolder, more layered.” Her favorite cocktail? “A Saint Savoir mule. Swap vodka for our two-year — the vanilla and coconut notes mixed with ginger beer and citrus? Out. Of. This. World.” Another hit? “An espresso martini with Saint Savoir. It takes you to a whole new level.” As a Black woman in the male-dominated spirits industry, Melky is intentional about how and with whom she builds. "When it came time to design my labels, I had a choice," she says. "I could’ve outsourced overseas and maybe even saved money, but I didn’t care about that. I chose a Black-owned, female-owned company based in Chicago.” That decision, she says, was about more than aesthetics — it was about impact. “As a Black woman running a spirits brand, I know how vital it is for us to make room for one another in this space. That’s what inclusivity looks like. Giving another Black woman a shot to be part of what I’m creating — that matters to me.” Melky’s entrepreneurial mission is deeply tied to her philanthropic roots. Through her Karma Foundation, she’s been serving communities for over 17 years. “Everything I do has a philanthropic side,” she says. “With Saint Savoir , that continues — whether it’s Haiti, the U.S., or anywhere else, we’re about people first.” Supporters can get involved by visiting the Karma Foundation’s website or following Melky online. “I always post when we need volunteers — whether it's in another country or right here at home.” “Legacy is a story you own — one that uplifts future generations,” Melky says. “It’s something my daughters, my nieces, my goddaughters can look at and say, ‘If she did it, I can too.’” She wants to be a reminder that reinvention has no expiration date. “I heard someone say older women lose their value — but I’m here to prove the opposite. It doesn’t matter if you're too young or too old. You can always pivot. You can always start something new. Do whatever brings joy to your life.” For aspiring entrepreneurs, Melky offers simple, grounded advice: “Know your stuff. Every step of your journey is a form of education. A great leader was once a great follower — someone who listened, who learned.” And finally, she leaves us with a truth that resonates far beyond business: “The obvious isn’t always obvious.” Because sometimes, the boldest moves are the quietest ones — the decisions that reflect integrity, intention, and belief in something bigger than yourself. What's Next? “I want people to say, ‘Wow, I never know what to expect from Melky Jean,’” she says with a smile. “From artist to promoter to entrepreneur — now CEO of one of the most exciting spirits brands in the world.” Her final toast? “ Taste the heritage. Celebrate the spirit. That’s what Saint Savoir 1972 is all about.”

How a self-proclaimed theater kid with a love for K-beauty became the voice of inclusivity in global skincare and makeup. Editor In Chief/Words: Angel Neal Photography: Ssam Kim Styling: Jai Simmons Make-Up: Akini Shimizu Miss Darcei is shifting the conversation—and the color spectrum, in an industry often slow to adapt and quick to exclude. Known for her radiant skin, sharp cultural commentary, and unmistakable love for all things Korean beauty, the Toronto-based creator has grown from a YouTube hobbyist to a disruptive force at the intersection of beauty, representation, and identity. She’s not just part of the conversation—she’s changing its direction.“I didn’t see anyone like me doing K-beauty,” Darcei says. “So I flipped the script. I made myself the person I needed to see.” That flip became Black Girl Tries —the viral video series that redefined her platform and made her a leading voice in a space not historically built for Black creators. “I started trying Korean makeup tutorials made by people who didn’t look like me at all,” she recalls. “And the wildest part? A lot of it actually looked good.”The response was immediate—and emotional. Messages from Black women around the world poured in, thanking Darcei for making it okay to try products they’d long been taught weren’t “for them.” What started as a playful experiment became a cultural movement. “I grew up feeling like I was the only Black girl into K-pop, K-dramas, Korean skincare... and then I found this community. That’s the beauty of the internet—it helps you find your people.” In April 2024, Darcei became the first Black creator to collaborate with cult-favorite Korean skincare brand PARNELL, co-developing an unprecedented 40-shade foundation range for their Cicamanu Serum Foundation . “It was incredible,” she says. “PARNELL now has the most dark shades of any Korean brand. And they listened—not just darkening their existing colors, but understanding undertones, finish, and wear.” “It’s not just about going darker. You need real people—Black people—inside these companies or consulting, so it’s done right. Otherwise, you end up with shades that are too gray, too yellow, or just totally off.” The collaboration wasn't just historic; it was intentional. Darcei tested each formula from her Toronto apartment, sending detailed feedback until every shade was right. “There’s this idea that Korean beauty isn’t for us. But why not? The products are amazing. The only thing missing was representation.” That kind of inclusive development is rare in K-beauty, where most brands cater to a largely monocultural domestic market. But the tides are turning.“Now when I’m in meetings, I’m seeing Black Americans working in Seoul at these companies,” Darcei says. “That’s huge. That’s real change.” Darcei doesn’t just sell lip gloss. She critiques beauty culture while participating in it, using her platform to explore identity, representation, and joy—all through a highlighter-dusted lens. But she never forgets to have fun. “At the end of the day,” she laughs, “it’s just foundation. It’s not life or death. I’ll still speak up when something’s not right—but I keep it lighthearted. Because that’s just me.” Still, the responsibility of being a cultural critic and digital creator can be heavy. “Especially as a Black creator, you’re forced into talking about inclusivity,” she explains. “You’re getting sent all these products, and half of them you can’t use. Of course you're going to have something to say.” Darcei’s voice has struck a nerve—because it’s not only about makeup. It’s about possibility. Her work has helped mainstream K-beauty in North America, expand shade ranges, and foster a generation of Black women who feel seen in spaces that once excluded them. It’s why winning the Streamy Award for Beauty in 2022—as the first and still only Black creator to do so—felt less like a personal win, and more like a community milestone. “I didn’t think I’d win. I was the smallest creator on that list. I just wanted to walk the carpet, experience my first award show… and then they said my name.” That moment was a turning point. “It shifted everything. It told me I belong here,” she says. She also keeps her content rooted in joy, often merging her love of theater and performance into her videos. Whether she’s doing full-body sunscreen reviews or breaking into random song, her flair for the dramatic is part of the charm. “I was a competitive dancer and a wicked theater kid. It definitely shows,” she laughs. “People tell me, ‘You need to sit still,’ but that’s just not me.” Beyond the screen, Darcei’s creative energy flows from unexpected places—like her monthly book club. “I wanted to get back to my childhood hobbies, like reading. That opens me up creatively in all parts of my life.” And while she’s got her eye on a future beauty brand—maybe blushes, maybe something pink—she’s clear about what matters most. “I want my legacy to be that I changed the perspective,” she says. “Growing up, beauty for Black people was always tucked away in the corner. Now we’re saying, actually, we can use that too.” The Disrupshion 5: THOUGHTS ON.... Darcei's thoughts on using her influence: “I want to use my influence to open up people’s minds—to express themselves however they want, with whatever products they want. It makes no sense to keep people in boxes.” Something we all know but bears repeating: “Closed mouths don’t get fed. You have to speak up. That’s how change happens.” On learning to trust her intuition: “When I trust my gut and do my own thing—even if it’s not trending—that’s when the magic happens. My biggest videos came from me following that instinct.” If she could disrupt any corner of beauty next: “Blush. No one’s talking enough about how blush, bronzer, and lipstick are still so non-inclusive. It's not just foundation.” In 10 years, what she hopes people say she changed: “That I changed perspective. That I helped show Black people can and should be included—everywhere.” Darcei didn’t set out to shake up the beauty world. She just wanted to have fun with some lip gloss and maybe sing a little on camera. But through bold authenticity and boundary-pushing collaborations, she’s doing something far more powerful: building a beauty world that’s big enough—and bright enough—for all of us.

Actress. Comedian. Host. Writer. Singer. Disruptor. Yasmine Sahid has never been one to stay in a single creative lane—and she’s finally getting her moment to shine on her own terms. With over 3 million fans online, a breakout role in the new Prime Video series Overcompensating , and a creative spark that never seems to dim, Sahid is boldly crafting a space for herself in the entertainment world—one laugh, lyric, and layered performance at a time. We caught up with the internet-born star to talk comedy as catharsis, representation in Hollywood, and what it means to stay grounded when your dreams are coming true before your very eyes. Interview By : Angel Neal Photographer : Ben Cope Stylist : Jasmine Woolfork MUA : Laci Johnson Hair : Rachel Lita Sahid’s journey into comedy content creation wasn’t born out of a grand master plan—but rather a candid conversation in the most unexpected of places. “It was during the pandemic. I was literally in a pool with my friend,” she laughs. “We were talking about TikTok and I just said, ‘Everybody’s getting famous off TikTok—I want to get famous off TikTok.’ And then I just did it. I started posting consistently, and things took off from there.” What started as casual content quickly became something deeper. “I was tired of waiting for someone to give me a break in entertainment,” she explains. “So I just decided—I’ll make my own.” Yasmine credits her early love of sitcoms and sketch comedy as the foundation of her comedic voice, but it’s more than just making people laugh—it’s about connection, and sometimes, survival. “Comedy was always an escape for me,” she shares. “It’s a way to feel like I’m bringing joy to people—even when I’m struggling myself.” Growing up, she wasn’t the loudest in the room, but she was certainly one of the funniest. “I wouldn’t call myself the class clown,” she says with a grin, “but I was definitely trying to make people laugh. Whether it was at school, at home, or on stage—I liked the idea that I could bring people comfort, even for a moment.” In Prime Video’s upcoming dramedy Overcompensating , Sahid plays an eager outsider trying to find her place in a new environment—something she relates to deeply. “In high school, I was a lot like her—really outgoing, trying to be friends with everybody,” she says. “Now, I’m more guarded with my circle, but I totally remember that feeling of wanting to fit in and find your people.” When she first read the script by internet-favorite-turned-showrunner Benito Skinner, it felt like fate. “I’d followed Benny for a long time, so when I saw he had a show, I was like, ‘I have to be in this.’ And luckily, they wanted me too!” The experience on set, she says, was a dream. “Everyone was so nice—like, genuinely kind and collaborative. You always hear horror stories about working in TV, but this was the opposite. It was one of those ‘Is this really happening?’ moments.” As a Black Sierra Leonean-American woman in Hollywood, Sahid is conscious of how she chooses roles—and which ones she avoids. “I’ve seen my share of stereotype-heavy scripts. But I’m picky,” she says. “Black people are not a monolith. I want to play characters that reflect the full spectrum of who we are—not just the tropes.” That pride in her identity was instilled early. “My family never made me feel like I had to hide where I come from. We ate African food, listened to Sierra Leonean music—it was just normal. I’m lucky for that.” Sahid isn’t waiting for the industry to define her. In addition to acting, she’s also writing a play, working on original music, and releasing her latest single—a sultry jazz cover of “Old Devil Moon.” “Most of my music so far has been comedic or rap-based,” she says. “This one is more serious, more romantic. I love jazz and ballads, so it’s just a snippet of that side of me.” Even with so many ventures on the go, she lets instinct guide her next move. “It really depends on what I’m feeling emotionally. Right now, I’m drawn to music and writing, but that could change. I just go where the creativity takes me.” With millions of fans and major industry moments under her belt—including hosting at the Oscars and appearances at the Aim Far Gala for TikTok—Sahid still finds ways to stay down to earth. “I lived in L.A. before the numbers came, so I had time to set my foundation first,” she explains. “And my friends? They’ll humble me real quick if I start acting too big.” Despite her growing fame, she insists she hasn’t “arrived” yet. “There’s still so much I want to do. I don’t ever want to get too in my head. I’m just trying to take it one step at a time. When asked what kind of legacy she hopes to leave, Sahid doesn’t skip a beat. “I want to be remembered as a creator who wasn’t afraid to try new things,” she says. “Disruption means shaking things up—and I think we need more of that. Hollywood loves sameness, but that’s not where magic comes from.” As for what’s next? “More writing. More music. I’m working on getting a play produced this year. I’m trying to do it all,” she says with a smile. “Because if I don’t, who will?” Yasmine Sahid is no longer waiting for permission. She’s too busy building her own universe—on screen, online, and beyond. With heart, humor, and hustle, she’s not just in the room—she’s redefining it. And if Overcompensating is any indication, this is only the beginning. To keep with all things Yasmine Sahid follow her here @ yasmine_sahid .

From rejections to red carpets — how he’s changing the game."Pure joy. That’s all I felt." That’s how Mekonnen Knife remembers the moment he landed his biggest role yet — Vargas in Disney’s ZOMBIES 4: Dawn of the Vampires . He was in an airport when the call came through. He went "ballistic." Laughing, screaming, maybe even tearing up. And who could blame him? For the 19-year-old actor and dancer, who once grew up watching Disney Channel from halfway across the world, joining the beloved ZOMBIES franchise wasn’t just a job — it was a full-circle dream. “It still doesn’t feel real,” he says. “I get to be that guy now.” Words/Editor In Chief: Angel Neal Photography: JSquared Photography Stylist: Marquise Miller & Aaron Christmon In Dawn of the Vampires , Vargas is the vampire with heart — a friend, a leader, the emotional center of his crew. And for Knife, the connection to the character was immediate. “He’s loyal, he’s funny, he’s the glue of the group. That’s who I am in my real life, too.” But playing Vargas wasn’t just about charm — it meant stepping into a legacy. The ZOMBIES franchise is known for its themes of inclusion, otherness, and friendship. “It was a big responsibility,” Knife says. “But the cast — Milo, Meg — they took us in like family. That meant everything.” Knife’s journey to Hollywood didn’t start on a film set. It began at age 12, when he first stepped into a dance studio. With no formal training and no real experience, he landed a full scholarship and spent two years catching up to peers who had danced since age two. “It taught me work ethic. I had no choice but to push harder.” Those early lessons have stayed with him — through modeling gigs, rejection-heavy auditions, and now, hours of choreography rehearsals for both ZOMBIES 4 and the World’s Collide Tour , which merges ZOMBIES and DESCENDANTS on stage for the first time. “It’s hard work,” he says. “But I love the process. Rehearsing with the team, seeing everything come to life — that’s the real magic.” Fun fact: before he was being interviewed, Mekonnen Knife was the one holding the mic. He used to host red carpet interviews back in Australia. Now? “Being on the other end of the questions feels surreal,” he admits. “But I love it.” His curiosity and empathy shine through — especially when talking about his roots. “I grew up in Ethiopia. I didn’t see people who looked like me on screen. That’s why I got into this — to change that.” For Knife, success isn’t measured in social media followers or premiere red carpets. It’s about impact. He’s an advocate for mental health, especially within fast-paced creative industries. “This world moves so fast. If you don’t slow down, it’ll burn you out. I’ve learned to journal, to call my friends, to take care of my mind.” He’s also deeply involved with the GraceCentre Foundation , a family-focused nonprofit that supports underprivileged children. “It’s about remembering where I came from, and using this platform to help.” Knife is proud of his heritage — and grateful. “It keeps me grounded,” he says. “Everything I do, I do with that part of me. For the kid I used to be.” He’s open about the struggles too — the disappointments, the almosts . Like the time he auditioned for Baz Luhrmann’s Elvis and didn’t get the role. “I was crushed,” he says. “But then I saw the film, and the character’s lines didn’t even make the final cut. It taught me: nothing is wasted. Every ‘no’ leads to a better ‘yes.’” If there’s one genre Knife is dying to explore, it’s action-comedy. “I flip. I do acrobatics. I want explosions, stunts, superhero moves.” His dream role? Miles Morales in a live-action Spider-Man . “That’s the role. If it ever happens, I’d give it everything.” But he’s also curious about comedy, even horror (despite admitting he can’t actually sit through scary movies). “I’m open to anything that lets me move, explore, play.” So what does Knife want young fans — especially those who see themselves in him — to take away from his journey? “ I hope young fans do what they love—because they love it. Do it because you love it. Not for followers. Just because it lights them up. Not for hype. Love is the only fuel that lasts.” He pauses. Then adds: “I hope I get to be that person someone watches and says, ‘That guy looks like me. If he did it, I can too.’ That’s the dream. That’s why I’m here.” Knife knows he’s become the kind of role model he once searched for. “If one kid watches ZOMBIES 4 and says, ‘I want to be like that guy’—then I’ve done my job.” Knife may be poised for global stardom, but at heart, he’s still the kid who FaceTimes his cat from hotel rooms. “My cat’s a diva. He’s like me — independent and dramatic,” he laughs. Along with two beloved cavoodles, Nugget keeps Knife connected to home. So much so that before flying to LA, he made a custom T-shirt featuring all three pets and wore it on the plane. “We don’t deserve animals. They’re better than us.” “If I could tell 12-year-old me anything, it’d be: trust the process. The ‘no’ you get today could be leading to the best ‘yes’ of your life.” ⚡ QUICKFIRE WITH MEKONNEN KNIFE Dream destination: Tokyo Post-project reset: Beach with friends or go-karting Favorite Disney moment so far: Stepping on set for the first time Secret talent: Can flip like Spider-Man Guilty pleasure: Bowling solo Bucket list still waiting: Skydiving Mekonnen's Mindful Musts 🎧 FaceTime friends to stay grounded 📓 Journals between shoots 🐾 Travels with a T-shirt covered in photos of his cat (Nugget) and two dogs 🛹 Skateboarding, beaches, bowling, and laser tag to unwind 🎮 Nintendo over Netflix any day ZOMBIES 4: Dawn of the Vampires premieres this summer on Disney+. Catch Mekonnen Knife live on the “Descendants/Zombies: Worlds Collide Tour” V is a one-of-a-kind interactive live concert experience coming to arenas across North America in Summer 2025. Tickets are on sale now here: BUY TICKETS .

When Monica Ravichandran walks into a room, the red lipstick usually arrives first. Not because it's loud—but because it’s intentional. Words/Editor In Chief: Angel Neal Photography: Grace Bukunmi Make-Up Artist: Monica Ravichandran Hair: Michael Dueñas A former software engineer turned makeup visionary, Monica is the creator of the viral #LipstickColorTheory trend and a trailblazer for inclusivity in beauty. Her journey—from coding in computer science classes while rocking a full beat, to dissecting pigment formulas in Italian and Korean labs—proves that artistry and analytics don’t just coexist; they can build a movement. “I showed up to class in full glam,” she recalls with a smile. “Everyone assumed I wasn’t smart. But I graduated with nearly a 4.0 and multiple job offers. So they figured it out.” Growing up in a South Asian household in the Bay Area, Monica’s relationship with makeup was shaped by the vibrant, bold aesthetics of her culture—and her mom. “My mom wore red lipstick every day,” she says. “It wasn’t subtle. It was a statement.” But like many brown girls experimenting with beauty, Monica quickly noticed a disconnect: the makeup her mom used didn’t work for her own undertone. With a father five shades deeper and a mother five shades lighter, Monica struggled to find herself in the standard color palette of the beauty aisles. “Every time I tried my mom’s makeup, it looked… off. I didn’t have the language then, but now I know—it was about undertones.” That early confusion turned into curiosity. And curiosity, paired with a mind trained in logic and systems, sparked a journey that would ultimately shift the industry’s understanding of color, contrast, and inclusivity. While content creation may have started as a side hustle during COVID, Monica’s approach was anything but casual. For three years, she worked full-time in tech while growing her audience, researching formulation, and tracking metrics with the precision of a data scientist. “I treat content the same way I used to manage software projects,” she explains. “Everything is data-driven. We run AI sentiment analyses on comment sections, track performance across platforms, and build strategies based on the feedback loop.” That strategic approach is what led to her rise—not just through beautiful makeup looks, but through explaining them. Monica’s virality didn’t come from trends; it came from breaking them down. Her #LipstickColorTheory series went viral by addressing a foundational gap: most beauty brands still don’t understand undertones, especially when it comes to deeper skin tones. She coined a term for it—the “orange foundation pandemic”—where even high-end brands over-saturate their deeper shades with warm, orange tones due to a lack of blue or green pigment in formulation. “If you don’t understand color theory, you’ll keep making makeup that looks good in the bottle, but not on skin,” she says. “It’s not just about the depth of a shade—it’s about how it plays against undertones, contrast, lighting, and actual wearability.” Monica doesn’t just talk about product problems—she solves them. Recently, she visited formulation labs in Italy and Korea, digging deep into pigment chemistry and manufacturing practices. What she found was equal parts illuminating and frustrating. “So many foundations are just slight tweaks of existing formulas,” she says. “There’s very little innovation because brands benchmark each other and repeat what's safe. That’s not disruption—that’s stagnation.” In contrast, her collaboration with MOB Beauty tells a different story. In creating her signature red lipstick—set to launch later this year—Monica worked directly with the same chemist who once formulated her mother’s favorite MAC red. “There’s no such thing as a universal red,” she explains. “That’s a marketing myth. Red lipstick has just as much nuance as nude shades, and this lipstick was created with all of that nuance in mind—undertones, ingredients, even emotional resonance.” Yes, this lipstick is personal. It’s also the lipstick Monica plans to wear on her wedding day. Inspired by her viral “Perfect Red Lip” series—and formulated with legendary chemist Victor Casale (formerly of MAC)—the lipstick reflects years of research. “It’s not the  perfect red. It’s my  perfect red—and my wedding lipstick.” To avoid common pitfalls—like Carmine (a red dye made from beetles)—the formula balances violet, yellow, and black to create a wearable, olive-friendly red that works across skin tones. What makes Monica’s work so resonant isn’t just her depth of knowledge. It’s her relentless commitment to serving her audience. Every sponsorship is vetted for shade range, undertone accuracy, and formulation integrity. If it doesn’t match her values—or her community’s needs—she passes. “I turned down Dove,” she says casually. “It’s not that I don’t use the product—I do. But I couldn’t see how the campaign would succeed, so I didn’t want to waste their time or mine.” For Monica, the long game matters. Longevity over virality. Integrity over impulse. Her long-term approach has built trust with brands and followers alike. The result? Multiple years-long partnerships and a reputation for being selective, strategic, and deeply ethical. “This is a marathon,” she says. “And to go the distance, you have to stay rooted in your values. The community always comes first.” As she continues pushing the boundaries of what beauty content can be—data-led, theory-informed, radically inclusive—Monica is carving out a space for the next generation of creators who live in-between identities, disciplines, and skin tones. Her message is clear: Makeup is not just about transformation—it’s about reclamation. It's not about fitting in, but standing out. Not about one perfect look—but many expressions of what power, softness, joy, or rebellion might look like on any given day. “Makeup is a feeling,” she says. “And I want every brown girl, every black girl, every olive-skinned girl to feel seen—exactly as they are.” — Monica Ravichandran 💄 Beauty Educator | 🎨 Color Theory Expert | 💻 Engineer-Turned-CreatorFollow her on TikTok & YouTube: @MonicaRavichandranLook out for her upcoming lipstick collab with MOB Beauty — launching soon.

From Chicago grit to Globetrotter glow, Cam Burrell’s journey is redefining what it means to be a modern-day baller. Words by Angel Neal Photography by  Forty Photography On paper, Cam Burrell’s college stats at Lindenwood read like the resume of someone bound for a traditional professional league. He led in points, steals, and energy—on and off the court. But destiny had a different spin. “The Harlem Globetrotters came out of nowhere,” Cam says, laughing. “I was about to sign an overseas deal—literally the day before—and then they reached out. It felt like it was meant to be.” For many, the pivot from competitive collegiate basketball to the theatrical, high-flying world of the Globetrotters might seem like a detour. For Cam, it was an unexpected lane that unlocked another side of himself—one that wasn't always front and center. “In college, I was the quiet kid. No emotion, just locked in on the game. But the Globetrotters? You have to entertain. You have to light up arenas, talk to crowds, joke with kids. It’s not just ball—it’s joy.” And joy is exactly what Cam Burrell brings to every game. The kind of joy that gets kids jumping out of their seats and parents grinning from ear to ear. But make no mistake, it’s still elite-level hoops. “We practice like pros. We run through every play, every routine. I train daily with teammates on ball handling, conditioning. We play hundreds of games. You gotta stay ready.” Off the court, Cam’s presence is just as magnetic. Known for his easygoing charisma and contagious smile—nicknamed “Cheez-It” growing up—he’s still learning to lean into his star power. “I’m an introvert, really. But something about being out there, dancing, talking to the crowd—it brings it out of me now. My second year? I’m way more comfortable. I’m singing, joking. It’s fun.” But for Cam, 2025 isn’t just about entertainment. It’s about elevation.“My pops always told me, ‘It’s more than basketball.’ So this year I’m getting into fashion, doing more photoshoots, and really trying to show that athletes can be more. I want to redefine what it means to be a pro in today’s world.” Raised in Chicago, Cam is intimately aware of how sports can offer an escape—but also how fragile that escape can be. “Chicago can be tough. I’ve seen what happens when kids get cut from teams or feel left out. That’s when trouble finds them. I want to create something to keep kids in the game—literally. Somewhere they can go after school, stay focused, stay safe.” Mental health is another topic Cam doesn’t shy away from. “I was ready to quit basketball before I got to Lindenwood. Depression, low confidence—I was in a bad place. But that year changed everything. I started believing in myself again. When people don’t believe in you, you have to.” Today, that inner belief fuels everything—from his impact on court to his influence in communities. It’s also what keeps him grounded as his platform grows. “Social media, the attention—it can be overwhelming. So I take time for myself. I isolate sometimes. Go back to my roots. Remember why I started.” When asked what he hopes people remember most about him, Cam’s answer isn’t about accolades. “Just remember me as a good person. That’s it. Someone who helped when he could. Someone who smiled.” CAM’S FINAL THOUGHTS Thoughts on using my influence: “I want to use my influence to make a better Chicago.” Thoughts on prayer: “Prayer is everything. God’s the reason I’m here.” Thoughts on intuition: “When I ignore it, I regret it. Trust your gut—it’s usually right.” Thoughts on success: “Success doesn’t happen overnight. Stay consistent, stay dedicated. It’ll come.” Something we all know but bears repeating: “People won’t always believe in you. Believe in yourself anyway.” Cam Burrell isn’t just flipping the script on what it means to be a baller—he’s rewriting it. With his quiet confidence, infectious energy, and growing influence, he’s living proof that staying true to yourself isn’t just an option—it’s the secret weapon. Disrupshion recognizes those who move differently. Cam Burrell isn’t just moving—he’s flying. Grab his issue in print right here-- 🔗 Cam's Issue – Disrupshion Magazine

Fashion has long been a battlefield of rigid rules - skirts for women, suits for men, and you get the picture! But, the rise of genderless fashion is flipping the script - tossing outdated norms into the past, and proving that style knows no boundaries. The future of fashion isn’t dictated by gender - it’s driven by individuality, innovation, and the undeniable fact that confidence suits everyone. The Great Gender Divide in Fashion - A Look at Genderless Fashion’s Historical Roots: Since the dawn of time, people wore what worked best for them without having to worry about the label of “menswear” or “womenswear.” Ancient civilizations draped themselves in tunics like chiton or peplos draped elegantly across the body. During the Middle Ages, women alike wore long robes while noblemen sported voluminous breeches and skirt-like garments. However, this practice started to make waves again in the 20th century with designers like Pierre Cardin and Mary Quant introducing sleek, futuristic silhouettes that defied traditional gender norms. Icons like David Bowie and Grace Jones further blurred the lines, proving that fashion could be a tool for self-expression rather than a rigid societal rule. Beyond the Binary - The Fashion Labels Reshaping Style Norms: Fashion’s gatekeepers are determined to tear down the walls that once divided wardrobes by gender. Luxury brands like Gucci and Balenciaga are setting the tone, infusing their collections with fluid silhouettes that refuse to conform. Meanwhile, independent designers are flipping tradition on its head, crafting pieces that aren’t just unisex but entirely free gendered tailoring. And, let’s not forget the influencers and celebrities - ranging from Harry Styles in skirts to Billie Eilish redefining oversized fashion. The industry isn’t just dipping its toes into gender-neutral fashion - it’s proving that it doesn’t matter what’s on the label as long as it looks good. Gen Z, Millennials, and the Rise of Gender-Free Fashion: Fashion is no longer a one-size-fits-all industry - quite literally. As Gen Z and Millenials push for individuality over conformity, the demand for genderless fashion is skyrocketing. Gone are the days of strictly divided clothing racks; now, retailers are shifting toward inclusivity, where style isn’t dictated by gender but by personal expression. Brands are rethinking how they market, display, and design their collections to appeal to shoppers who refuse to be boxed in by outdated norms. Meanwhile, social media is the ultimate accelerant, turning bold, boundary-breaking outfits into viral sensations and cementing fashion as a medium for self-expression rather than societal expectation. The future of fashion isn’t just about what we wear - it’s about unapologetically being who we are. What was once a rigid rulebook of “his or hers” is now an open-ended invitation to wear what feels right, unrestricted by outdated labels. We are rewriting the industry’s DNA by refusing to conform with a sense of style that reclaims the true purpose of self-expression. Now, we all know that fashion isn’t just about fitting into a category - it’s about embracing individuality one fearless look at a lime.

Gone are the days where fashion was only about looking good. Now, we are doing good with fashion that heals the planet. Welcome to the era of Eco-Elegance - where style meets sustainability, and couture is crafted with a conscience. Get ready to embrace designs tailored for a planet-friendly future - because looking this fabulous doesn't have to be something you have to give up. Seamlessly Sustainable - The Art of Zero-Waste Fashion: Fashion has long been synonymous with excess, but Zero-Waste Designs flip the script - turning scraps into statements, and waste into wonder. It's about revolutionizing the way garments come to life, from sketch to stitch. Designers now engineer patterns like intricate puzzles, ensuring every cut has a purpose and nothing ends up in the bin. Draping techniques embrace the natural flow of textiles, crafting stunning silhouettes without a single wasted thread. And, let's not forget transformable fashion - where a single piece morphs into multiple styles, because versatility is the new luxury. With zero-waste couture, sustainability doesn't come at the cost of creativity - it fuels it, proving that the most innovative designs are those that leave nothing behind but admiration. Organic Origins - Clothes Grown, Not Made: Who needs fast fashion when you can grow your own wardrobe instead! This is where algae, mushrooms, and the ocean's plastics step up as the new luxury textiles. Algae-based fabrics bring lightweight breathability, mycelium leather offers a cruelty-free edge, and ocean waste transforms into high-fashion fibers that give pollution a second life. You can forget synthetic fibers, because scientists and designers are literally cultivating garments in labs, proving that sustainability can be stylish and sci-fi level cool. Imagine a wardrobe that regenerates, dissolves, or even adapts to your environment - proving that Mother Nature is the new couturier. Guilt-Free Glam - The New Era of Biodegradable Accessories: In a world where trends fade, but waste lingers - biodegradable accessories will always be something you won't forget. These planet-friendly adornments, made from bamboo, cork, plant-based leather, and even dissolvable fabrics - break down naturally, returning to the earth instead of cluttering it. Imagine rocking a stunning pair of earrings - made from coconut shells or slipping into biodegradable sandals that leave nothing behind but good vibes. Want to know the best part? Even luxury brands are catching on, crafting composable handbags and organic fiber jewelry that merge elegance with environmental responsibility! Style without strings attached? Now that's a trend worth keeping! Fashion has always been a form of self-expression, but now it's a statement for the planet, too. With zero-waste designs, bio-fabricated textiles, and accessories that vanish without a trace - we're defining luxury to be as kind to the Earth as it is to our wardrobes. So, step into the new era of style, where glamor is green, trends are timeless, and every outfit helps shape a better world. Now, that's fashion worth flaunting!

The Hair Education Beauty Summit (HEBS) isn’t just an event—it’s a movement. And in May 2025, it proved exactly why it’s become the new standard for beauty and hair gatherings nationwide. Over 2,500 stylists, barbers, makeup artists, students, and educators descended on the Meadowlands Expo Center in Secaucus, New Jersey, for three electric days of artistry, ambition, and unapologetic creativity. From the moment the summit kicked off with an exclusive Yacht Party, it was clear: this wasn’t your average industry meet-up. It was a celebration. A takeover. A statement. And the message was loud—beauty is evolving, and HEBS is leading the charge. Sponsored by PureO Natural Products and LocN Hair Products, HEBS 2025 fused technical mastery with cultural relevance. The programming was stacked: expert-led classes, cutting-edge workshops, and panels that didn’t just talk trends—they set them. From skincare to barbering to nails and beyond, every corner of the floor buzzed with energy, connection, and purpose. But HEBS doesn’t stop at education—it thrives on competition. This year’s lineup? A masterclass in skill and spectacle. The Barber Olympics, Wild & Crazy Competition, and a no-holds-barred Barber Battle had attendees on the edge of their seats, with nearly $50,000 in prizes on the line. The talent? Next level. The creativity? Unfiltered. The stakes? Everything. Amid the technical demos and viral moments, there was something deeper at play— unity . HEBS didn’t just spotlight individual excellence; it amplified collective power. From booth to classroom to main stage, there was a shared vibe of support, hustle, and elevation. People came for skills. They left with vision. And just when you thought the energy had peaked, K. Michelle shut it down with a show-stopping performance—her vocals and vibe wrapping the weekend with a perfect mix of soul and edge. HEBS Nicole Shuler summed it up: “This year was a true reflection of the growth and power within our industry. We’re just getting started.” And she’s not exaggerating. In 2026, HEBS is coming back bigger, bolder, and global. The summit will return to New Jersey and expand internationally with a debut in Lagos, Nigeria—a move that signals its mission of education, empowerment, and cross-continental creativity isn’t slowing down anytime soon. Oh—and they’re adding fashion into the mix. HEBS 2025 didn’t just raise the bar—it redesigned it. And if the beauty industry wasn’t paying attention before, they are now.

Dressed to the nines and weaponizing the world with an unshakable sense of style - Black Celebrities at the 2025 Met Gala took the night on by storm. The art of Black Dandyism was not just in their hands to only challenge conventional notions of race and class, it was to reclaim a legacy with power. And, I am sure the ancestors were nodding in approval while watching this spectacle. Couture and Culture - Black Celebrities Who Re-Wrote History: Diana Ross: Diana Ross didn't just return to the Met Gala - she left a trail of elegance in her wake. Draped in an opulent gown by Ugo Mozie - she was a velvet-trimmed masterpiece, complete with an embroidered train bearing the names of her children and grandchildren. She didn't just make a fashion statement - she was walking with the sentiment of her family tree stitched in luxury. Teyana Taylor: Queen of the Harlem Renaissance met with futuristic embellishments - Teyana Taylor didn't just wear an outfit. She delivered a masterclass of unapologetic style wrapped in a red pin-striped suit and an oversized coat. With "Harlem Rose" embossed into the fabric, she was stitching a callout to its history into every thread. If the met gala had a mic - she dropped it. A$AP Rocky: A$AP Rocky orchestrated a fashion symphony - layering Harlem nostalgia with high-fashion precision. He flipped the theme into something of his own by rocking a custom AWGE design that transformed the classic Marmot puffer into a tailored masterpiece. Though, the oxford shoes with a Christian Louboutin collaboration and Bulgari Jewels sealed the deal. He wasn't just paying homage to Black dandyism - he had a blueprint of elegance redefined into his own rules. Pharrell Williams: Pharrell Williams embodied black dandyism pearl by pearl in a way that captured him as the moment. He made time stop with rich roots in history for the theme in a meticulously tailored double-breasted evening jacket, hand-crafted from interlaced pearls that shimmered under the flashing lights of the cameras. The level of detail of the pin-striped effect was impeccable, and the flared wool trousers was a nod to classy dandy elegance. He didn't just honor Black dandyism; he rewrote it by proving that sophistication and swagger can coexist in the same dazzling silhouette. Tailored as a Tribute - The Met Gala's Approach to Black Dandyism: The theme was inspired by Monica L. Miller's Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic, which explores how Black individuals have used fashion as a tool of self-expression and defiance. The exhibition at the Metropolitan Museum of Art traced the evolution of Black dandyism from the 18th century to today. The event truly transformed the red carpet into a live-action museum with celebrities embodying the elegance, defiance, and artistry of Black Dandy Icons. And, don't forget the looks of Coco Jones' pearl-encrusted cape, echoing the grandeur of 1930s Zoot suits, to Quinta Brunson's hand-embroidered pinstripe ensemble, paying homage to the meticulous tailoring of Harlem's golden era - proving that every look was declaration of style as resistance. Either way, one thing was clear - Black elegance wasn't just showcased; it was center stage. Black Dandyism's Season Finale - The Met Gala's Lasting Impact: The 2025 Met Gala was a cultural reckoning, a moment where Black dandyism was elevated from niche appreciation to mainstream discourse. With "Superfine: Tailoring Black Style" as its theme, the event placed black elegance, resistance, and self-expression at the forefront. This was a beautiful force to be reckoned with as it made the industry acknowledge the deep historical roots of dandyism beyond aesthetics. The accompanying exhibition traced the lineage of Black dandyism from the 18th century to today as Black celebrities and designers reclaimed dandyism as a living, breathing moment rather than a relic of the past. And, as long as there are Black icons willing to tailor history into the future, dandyism will only continue to evolve through the times.