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Words: Nery Gomez Article Edits: Laura Casella Photo: Courtesy of Emirates Woman The Oscars red carpet remains one of the most anticipated moments in fashion each year. While some looks embrace spectacle, others stand out through elegance, precision   and personality. This year’s ceremony offered a range of memorable moments, but a few appearances managed to capture the perfect balance between glamour and individuality. Photo: Courtesy of Who Magazine via Instagram Rose Byrne delivered a look that balanced refinement with modern grace wearing a black mermaid style dress with white flowers embroidered.   Reminding us that simplicity on the red carpet can be just as striking as extravagance. Photo: Courtesy of John Shearer/WireImage/Getty Images Li Jun Li brought a quiet sophistication to the carpet strutting a bright red dress tight to her body with a corset top and a tail. The top is constructed in a way that leans into the strings of the tail, creating this beautiful asymmetry. Her look felt carefully composed, combining delicate details with a sense of confidence that made the ensemble feel effortless. Photo: Courtesy of Just Jared via Instagram Arden Cho opted for a look that blended classic allure with contemporary styling. Wearing a black lace mermaid style dress with bright green, bird‑and‑flower–embroidered sleeves that completed the look. The result felt polished and intentional, standing out through its clean lines and strong presence. Photo: Getty Images Odesa Azion embraced a younger, more playful energy. The young actress wore a black set with a flower design. The look was also complemented by silver details, adding a more grunge air to her presence on the red carpet.   Photo: Courtesy of Seventeen via Instagram Ariana Greenblatt continues to prove herself as one of the most exciting young presences on the carpet. She wears an ivory satin gown with a sculpted, corseted bodice and a soft, liquid‑like skirt that falls at her feet. Her look balanced youthful charm with refined tailoring created a moment that felt both modern and refined. Photo: Getty Images Demi Moore reminded us why she remains a red carpet icon. She arrived in a dramatic emerald Gucci gown entirely crafted from iridescent feathers, the texture catching the light with every movement. Her appearance was defined by timeless magnetism, proving that sophistication never loses its impact. Photo: Courtesy of laineygossip.com Damson Idris brought sharp tailoring and confidence to the evening. He wore a sleek, midnight‑black suit with razor‑clean lines and a precise fit that highlighted his posture and presence. His look stood out for its precision, demonstrating how powerful a well-constructed suit can be on the red carpet. Photo: Courtesy of LA Times Kate Hudson embraced classic Hollywood glamour with ease. She stepped onto the carpet in a sea‑foam Armani gown that draped fluidly across her frame, paired with striking green diamonds that added a fresh, luminous edge.  Her look carried a sense of effortless refinement that felt perfectly suited to the atmosphere of the Oscars.

Words: Laura Casella Photo: Courtesy of Yahoo.com The 98th Academy Awards presented Old Hollywood glamour through a modern lens, revitalizing demure hair and makeup. Photo: Courtesy of Evie Magazine via Instagram Photo: Courtesy of New Beauty via Instagram Photo: Courtesy of Parade Magazine via Instagram  The red carpet was dominated by structural silhouettes of sharp bobs, gamine pixie cuts and delicate low buns that echoed the golden age of cinema. Photo: Courtesy of Evie Magazine via Instagram Photo: Courtesy of New Beauty via Instagram However, classic long-hair femininity remains a powerhouse. Nicole Kidman’s cascading blonde waves provided a soft counterpoint to the season’s precision cuts, while newcomer Chase Infiniti turned heads with mermaid-esque locs that flowed with ethereal, serpentine grace. Photo: Courtesy of WWD The beauty philosophy of the night leaned toward utilizing minimal makeup to illuminate, rather than mask, natural features. Photo: Courtesy of Kylie Jenner via Instagram Photo: Courtesy of eonline.com Yet, the evening wasn’t without its theatrics. As exemplified with the queen of lip makeup herself, Kylie Jenner, and this year's Best Actress winner, Jessie Buckley, overlined pouts and bold red lips offered extravagance in complimentary juxtaposition with the theme of organic elegance. This year's Oscars illustrated a new era where beauty can seamlessly exist in both minimalist simplicity and artistic whimsy simultaneously.

Words: Lorianne Wilbur Article Edits: Laura Casella Spring and Summer festivals like Coachella are on the horizon. Yet, how exactly, to look cute for one? This style guide will clue you in on what is in for 2026. What’s more, we’ll tell you how to look on a budget.  1.     Desert-style knit crop tops and shorts Photo: Courtesy of Alibaba Photo: Courtesy of Edikited Photo: Courtesy of Temu Photo: Courtesy of Edikited 2.   Iridescent and Hologram crop tops with metallic colors (metallic colors are so in right now), or glittery tight shorts or skirts Photo: Courtesy of Adami Dolls Photo: Courtesy of Badinka Photo: Courtesy of Ravefix 3. Mermaid-like crop tops, shorts, skirts and glittery, colorful outfits in general.  Photo: Courtesy of Dolls Kill Photo: Courtesy of Shein Photo: Courtesy of Shein 4. Sheer or Colorful Maxi dresses Photo: Courtesy of Shein Photo: Courtesy of Shein Popular trends are the holographic fashion, the mermaid styles and the metallic color schemes. Follow this style guide and be glamorous for Coachella 2026 without breaking the bank. And don't feel bad, all the hot-dressed girls are bargaining these days.

In an industry where beauty trends often move faster than authenticity, Crystal Nicole built her platform by doing something deceptively simple: telling the truth about her journey. Known to many online as CurlieCrys , the beauty, lifestyle, travel, and fashion creator has grown a loyal audience of over one million followers across platforms. Her content rooted in natural haircare, skincare, and serene home aesthetics blends technical precision with emotional storytelling. But Crystal’s path into digital influence wasn’t typical. Words by Angel Neal, @angel_stylistbehavior Photo credit : @newyorkmemories Before brand partnerships with names like Charlotte Tilbury, Olay, SheaMoisture, Youth to the People, Aveeno, and Kiehl’s, she was a civil engineer. And for a long time, content creation was simply a passion project. “I didn’t realize this could become my career until after I graduated,” Crystal tells Disrupshion Magazine . “While I was in college, creating content was just something I did for fun. I liked educating women and sharing what I was learning about my hair. I never thought it would become something bigger.” After graduating from the University of New Orleans, Crystal accepted her first engineering role in Austin, Texas. Living on her own for the first time gave her the freedom to build a creative routine even if it meant working two full-time schedules. “I was working a nine-to-five and then coming home to film, edit, and send content to brands sometimes until two in the morning,” she says. “I was posting every single day while still working my engineering job.” The more time she invested in her platform, the more opportunities followed. Partnerships began increasing and so did her income. “When I started making two to three times more from content than I was making as an engineer, I thought I had calculated something wrong,” she laughs. “But it was consistent. That’s when I realized this might actually be sustainable.” Still, walking away from a stable engineering career required more than excitement. It required strategy. Crystal spent months tracking income and evaluating stability before making the leap in 2017. “Faith without works is dead,” she says. “I prayed about the decision, but I also planned. I calculated my income for months to see if it was consistent enough to support me. Leaving a stable job is scary, so you have to make sure the foundation you’re building is just as stable.” That combination of faith and discipline would become a theme throughout her career. While Crystal’s platform spans beauty, lifestyle, and wellness today, it began with a deeply personal transformation: embracing her natural hair. For years, like many Black women, her relationship with her curls was shaped by outside expectations. “When I told people I wanted to wear my natural hair, I was discouraged,” she recalls. “Even my hairdresser told me, ‘You don’t have the kind of hair for that.’ But they didn’t even know my natural texture I had only ever gone to them for relaxers.” The experience forced Crystal to confront something deeper than styling techniques. It was about identity. “I had to heal the part of me that was told who I naturally am is not beautiful,” she says. As she began documenting her natural hair journey online, she discovered she wasn’t alone. Many women in her audience had never been taught how to care for their natural textures. “There was a huge educational gap,” she explains. “Growing up, it was always braids, sew-ins, or relaxers. But we weren’t taught how to do twist-outs, braid-outs, or wash-and-gos. We weren’t taught how to care for what naturally grows out of our scalp.” By sharing tutorials and personal experiences, Crystal realized her content was doing more than teaching styling techniques it was helping people unlearn internalized beauty standards. “Creating that content wasn’t just healing me,” she says. “It was healing other women too.” The impact even reached her own family. “My mom actually wears her natural hair now,” Crystal says with a smile. “She was the one who initially told me not to do it. Seeing how far she’s come is really powerful.” With over a million followers and major brand partnerships, Crystal is often approached with lucrative collaborations. But she remains selective about what she promotes.“I test everything myself before I agree to work with a brand,” she says. “My audience trusts me, and I never want to compromise that.” In fact, she once turned down a five-figure partnership from a brand she personally loved. “The product broke me out,” she explains. “Even though I liked the brand and the opportunity made sense financially, I couldn’t promote something that didn’t work for me.”Crystal believes audiences often underestimate the number of deals creators decline behind the scenes. “People only see what we accept,” she says. “They don’t see the opportunities we turn down to protect authenticity.” In a digital beauty economy where influence can shape purchasing behavior overnight, she believes creators have a responsibility but not total control. “We have influence, yes,” she says. “But people also have to use their own discernment. What works for one person might not work for someone else.”Over the years, Crystal’s voice has expanded beyond tutorials. In 2025, she moderated CurlyCon, spoke at the Sephora Impact Summit, delivered a keynote at the WEB “Who Is She” Brunch in Charlotte, and was named to xoNecole’s It Girl 100 list. She attributes the shift to one thing: vulnerability. “When I started sharing my personal struggles the good and the bad people connected with me on a deeper level,” she says. Her audience had first discovered her through hair tutorials, but once she began opening up about relationships, personal growth, and self-worth, the connection deepened. “People would come up to me and say, ‘I’ve followed you since CurlieCrys, but I love you even more now that you share your real life,’” she explains. Today , her content blends beauty with themes of healing, transformation, and emotional growth.“It’s not just about hair,” Crystal says. “It’s about understanding why we see ourselves the way we do.” Behind Crystal’s calm aesthetic and thoughtful storytelling is a daily commitment to wellness. Strength training, Pilates, and tennis are central to her routine not just physically, but creatively. “Working out is a direct pipeline to my mental health,” she says. “When I’m not active, I feel the difference mentally.” Exercise provides clarity and structure for her day.“Once I finish a workout and take a shower, I feel like I can conquer anything,” she says. “It sets the tone for everything else.” The discipline she built through fitness mirrors the consistency required to grow a creative career. “It taught me that if I can stay consistent in one area of my life, I can apply that same discipline everywhere else.”Crystal’s content is also known for its calm, curated aesthetic from her editing style to her home interiors. But the intentionality isn’t just visual.“I design spaces the same way I design content,” she says. “Everything has to evoke a feeling.” Whether filming a tutorial or decorating a room, she asks the same question: how will this make someone feel? “When I’m editing, I imagine watching the video as a viewer,” she explains. “If it doesn’t emotionally move me, I know I need to change something.” The same principle applies to her home. “When I walk into a room, I want to feel peace,” she says. “I want to feel like all the hard work was worth it.”If the younger Crystal growing up in New Orleans could see her now global travel, speaking engagements, brand partnerships the success itself might not be the biggest surprise. What would stand out most, she says, is how she transformed adversity into growth. “I would tell her everything worked,” Crystal reflects. “The sacrifices, the struggles, the long nights it all paid off.”And most importantly: “I’d tell her not to worry about what we’re about to go through,” she says. “There’s a reason for it. Just keep going. You’ll see the light at the end of the tunnel.” To keep up with all things Crystal, follow her here: @iamcrystalnicolee .

Under the creative direction of Fausto Puglisi, Cavalli returned with “Back to Black.” A collection described on Instagram as a “deeper dimension of Roberto Cavalli carnal, magnetic, alluring.” This lineup leaned into something moodier, sharper and distinctly gothic. Words: Amaya Capel Article Edits: Laura Casella Photo:  Courtesy of WWD Black dominated the runway. Not just as a color, but as an attitude. Across more than 40 looks, Puglisi emphasized a range of materials, from leather and sheer mesh to delicate lace and velvet. Photo:  Courtesy of WWD Mesh played a key role throughout the show. Sheer panels, second skin tops and barely there layers created a sense of exposure that felt intentional rather than explicit. It framed each silhouette without overpowering it, adding lightness against heavier fabrics like leather and velvet. Photo:  Courtesy of WWD Lace was approached differently this season. Instead of a romantic softness, it came with edge. The high necklines, long sleeves and refined lace introduced structure and depth. Photo: Courtesy of WWD Then came the feather detailing, which shifted the energy entirely. A sweeping black gown constructed with feather elements moved dramatically with each step. The embellishments amplified each silhouette turning something delicate into something striking and bold. Photo:  Courtesy of WWD From there, the runway began to build in texture and movement. Satin took center stage. Flowing and draping across each model with effortless motion. The pieces swayed, creating a sense of grace and softness that defined this segment of the show. Photo:  Courtesy of WWD Printed floral pieces also entered the mix.  Styled with bralettes and strong tailoring, they felt sharp and modern while also adding richness.  Photo:  Courtesy of WWD As the runway progressed, subtle color and velvet entered the sequence. Hues of vibrant pink and purple appeared toward the end of the show. The lilac skirt and textured violet top contrasted beautifully, while hints of hot pink lining added a playful sense to the collection. This season, Puglisi leaned into structure, fabric variation and shadow.  Delivering a Cavalli vision that was less about carefree glamour and more about controlled, gothic allure.

At Milan Fashion Week, Gucci opened a new chapter under Demna Gvasalia and it felt both purposeful yet organic. Words: Amaya Capel Article Edits: Laura Casella Photo: Courtesy of Gucci via Instagram The lineup with more than 80 looks introduced a vision that was clean, sleek and sharply fitted. In a message shared directly to Gucci’s Instagram audience, Gvasalia offered a rare, personal note on his direction for the house. Writing to followers on the brand’s official account, he explained his desire for Gucci to “become lighter, more refined, more emotional. Less intellectual, more feeling.” That shift was undeniable from the first look. Photo: Courtesy of Gucci via Instagram This was not a loud reinvention, but rather controlled. Jackets and trousers were tailored with exactness, hugging the form and sculpted perfectly onto each silhouette. Nothing appeared excessive, yet nothing seemed plain or basic. The simplicity carried weight throughout the entire show. Each piece looked considered, as though it was made specifically fit for the person wearing it rather than pulled from a rack. The result was polished to perfection. Photo: Courtesy of Gucci via Instagram Sequins also made a debut in a way that felt subtle. Each piece shimmered with purpose. A silver mini dress was the immediate eye catcher as it skimmed the frame with confidence, proving that texture does not need theatrics to command attention. Photo: Courtesy of Gucci via Instagram Outerwear also played a significant role as a defining statement. Collared coats, some oversized and some elongated to sweeping proportions, grounded the collection. They shaped the body with structure while keeping an effortless flow in movement. There was strength in their simplicity. Worn over layers or leather pants, they brought to life what Gvasalia shared on Gucci’s Instagram: “Heritage and fashion are not opposites, but lovers in coexistence.” Photo: Courtesy of Gucci via Instagram Accessories were sharp and purposeful. Bags added that perfect balance to the silhouettes, acting less as decoration and more as the finishing touch. They completed the look without overwhelming it. What made this debut compelling was its clarity. This Gucci debut felt both poised and elevated, timeless yet modern. Gvasalia created a vision that was assured and fully formed. If this is the beginning of his story at Gucci, it is one built on control, emotion and a renewed understanding of what it means for heritage and modernity to move together.

Words: Nery Gomez Article Edits: Laura Casel l a Photo: Courtesy of Ferragamo From past eras to contemporary society, elegance and sensuality have always fascinated the human imagination. The Fall/Winter 2026–2027 show by Ferragamo reminded us how powerful these two forces can be. Photo: Courtesy of Ferragamo The opening looks were built on structure: sharply tailored suits and precise silhouettes that conveyed a disciplined sophistication. Their controlled construction created an organized sense of attraction, where restraint itself became captivating. Photo: Courtesy of Ferragamo Gradually, the collection shifted. Sheer dresses and translucent fabrics introduced a flowing physicality, revealing movement and softness beneath the framework. Yet the collection never abandoned its architectural discipline. Instead, Ferragamo balanced passion with composition , suggesting that true distinction lies in their coexistence. Photo: Courtesy of Ferragamo We can also see pieces that introduce different colors and textures, expanding the collection’s exploration of the evocative. These elements reveal a more relaxed and lively  side of Ferragamo, presenting a sense of confidence that runs throughout the show. Photo: Courtesy of Ferragamo The collection draws inspiration from the beginnings of the house in the 1920s. By revisiting these origins, the show reflects the foundations on which Ferragamo was built: refinement, form, confidence and some playfulness. Finding power in our beginnings and embracing them throughout alluring confidence is what the collection stands for, suggesting that without one another they would not hold the same power.

It was day two of Milan Fashion Week and Maria Grazia Chiuri’s big debut with Fendi had officially landed. Words: Fatema Barwahwala Article Edits: Laura Casella Photo:   Giovanni Giannoni/WWD After nine years at Christian Dior, she stepped into the role of chief creative officer at Fendi, opening strong and focused. The Italian heritage label presented its Fall/Winter 2026 collection with 80 precisely tailored looks and the official motto: “Less I, more us.” It was her idea of working for the show which was fashionably laid out on the runway. It wasn’t just about one designer’s vision, but a thread running through all five Fendi sisters and the brand’s legacy, stitching them all together. It was nostalgia with a stylish reminder: this house knows its history and is ready to wear it again, properly, and with purpose.   The whole idea of togetherness in Chiuri’s universe is about real friendships, real moments, and the way clothes quietly become part of those memories. Photo:   Giovanni Giannoni/WWD On the runway, the idea was quite evident in the sheer-inset blouses that practically belong at a long, chatty lunch. The floral shearling coats felt like they were made for slow walks and slower conversations. And that stole stamped “five sisters?” It was a tribute to the original Fendi sisters Paola, Anna, Franca, Carla, and Alda, who mentored her back in the ’80s and ’90s. At the same time, it was a wink to every ‘girl gang’ group chat out there.   Photo:   Giovanni Giannoni/WWD The overall vibe of the show was soft power dressing. Feminine rendezvoused with masculine to create timeless silhouettes, everyday essentials and a coed lineup that quietly ditched the whole “his” and “hers” idea. "I synthesized my vision for Fendi in this show. In the silhouette. In the shoes. For women and for men also - there will be some men in the show, too, absolutely, because we did the collections together." she enthused to Vogue backstage. You could sense that she’s not trying to reinvent the house for the sake of it. She seemed more focused on carrying their legacy forward in a way that still feels recognizably Fendi. As she said in an interview backstage, “It’s about making the founders see themselves in the brand now.” Photo:   Giovanni Giannoni/WWD As for the clothes, it was a crowd-pleasing lineup. Not the kind that screams for attention, but the kind people actually want to wear. The designs were subtle and expertly tailored. Realistic and refined, they were classics that resonated with everyone in the room. And refreshingly, it skipped that heavy, over-the-top luxury. The pieces felt more grounded and wearable.   The strong visuals were a treat to all the aesthetic-loving eyes. Sheer lace gowns and silk slips floated down the runway, filling the room with a romantic, feminine vibe. But she didn’t let it get too sweet. Photo:   Giovanni Giannoni/WWD In came the fur-lined, animal-print vests that felt almost like armor. This brought in a tougher, more protective flare to the easy classics. And the crowd went wild! That push and pull carried on with deconstructed suiting and bold lapel necklaces. They were sharp, feminine, masculine, or honestly, a cool in-between. Chiuri described the new Fendi dresses as pieces meant to move with real life, your moods and moments. This idea showed up in the outerwear too, especially the fur coats and stoles reworked from the house archive. She calls it “emotionally durable design,” which, in fashion terms, basically means pieces that you keep, not just wear once and forget. Photo:   Giovanni Giannoni/WWD There were a few curveballs in the mix: an army-green flight suit, folkloric fur-trimmed vests, even a worn-in motocross jacket in punchy yellow and black. Still, Chiuri stayed in her comfort zone where it counts: sharp tailored jackets, pleated skirts, rich wool coats, lace cocktail dresses, and those timeless panne velvet columns with a soft 1920s mood. Fur popped up throughout the show in the form of tippets, collars and patchwork coats. But the house was quick to note it was all reworked from existing skins, not new ones. It was indeed very on-brand for a heritage house trying to balance legacy with modern sensibilities. Photo:   Giovanni Giannoni/WWD The details too had an insider charm. Tiny white leather collars worn like chokers felt like a quiet nod to Karl Lagerfeld, Fendi’s kingpin of fur and ready-to-wears. Meanwhile, the cross-strap jacket closures read like a subtle salute to Kim Jones, Fendi’s former womenswear designer and Chiuri’s counterpart. Photo: Giovanni Giannoni/WWD The brand’s heritage got a playful spin too as the five founding Fendi sisters showed up on fuzzy intarsia football scarves. Chiuri also brought in young artist Sagg Napoli for slogan tees and scarves stamped with Italian phrases like “Rooted but not stuck” and “Loyal but not obedient.” She kept her long-standing habit of collaborating with female artists by tapping the estate of Mirella Bentivoglio for jewelry and graphic tees, weaving an intellectual layer into the collection. Photo:   Giovanni Giannoni/WWD All in all, black dominated the color palette. You could see it as chic and polished, or simply smart and sellable. Either way, it worked. She also slipped in touches of denim, military, and soft bohemian codes, hinting that this version of Fendi isn’t about one woman’s strict vision, but a collective wardrobe that takes you places. This was one of the major debuts of Milan Fashion Week and the venue was packed with A-listers. The full fashion power crowd including LVMH execs, celebrity faces, top buyers, and editors occupied the front row. They all watched in awe as Chiuri stepped back into a house she knows better than most. Moreover, Chiuri’s show felt less like a debut and more like a full-circle moment. After 37 years in the industry, Chiuri is back to where it all started. You could feel the history in the room as she represented the house she joined in 1989 at just 24. Photo:   Giovanni Giannoni/WWD Accessories, though, were the real head turners. The Baguette bags were everywhere! Classic and very Fendi, they were embellished, richly textured, and styled like the ultimate finishing touch. From beaded versions to unexpected color clashes, the lineup felt fun without trying too hard. And that furry Baguette in black, purple, and orange? Total stop and stare. She spent a decade here before working at Valentino where she shaped some of the brand’s most iconic hits, including the Baguette that basically became a pop-culture legend in “Sex and the City.” So naturally, the bags were a moment. Maria Grazia Chiuri’s debut for the house has brought in pieces that will surely stick around, staying on the minds and wardrobes of people for many moons to come.

Moschino’s Fall/Winter 2026 show hit Milan on February 27 like a fashion fever with a nostalgic twist. Words: Fatema Barwahwala Article Edits: Laura Casella Photo: Giovanni Giannoni/WWD Adrian Appiolaza delivered a runway that was theatrical and just the right amount of unhinged. Friday night for Moschino definitely had personality, with Appiolaza feeling sentimental and hailing the legacy of his homeland.   Photo: Giovanni Giannoni/WWD A pixelated Eva Perón flashed across a T-shirt and suddenly we were in Argentina. To sweeten things up, along came a leather pouch in the shape of a sack of chocolate-dipped churros. Anything but subtle, it was playful and proudly personal. From Evita to street-snack references, he turned childhood memories into full-blown fashion moments, all with that signature Moschino irony. Photo: Giovanni Giannoni/WWD Appiolaza’s runway was like a casting lineup of characters. Like the hunks and club kids at Demna’s Gucci debut, characters were clearly having a moment this season. At Moschino, Appiolaza took that idea and ran with it. Proper bourgeois ladies were accompanied by a bus driver with a vintage ticket dispenser while soccer fans, gauchos and tango dancers cheered along. The lineup felt like a full-on parade. Models weren’t just walking the runway, they had particular roles. It was very much in the theatrical spirit that Franco Moschino loved, reimagined with a South American. Photo: Giovanni Giannoni/WWD Appiolaza even brought in filete porteño, that ornate Argentine artwork you see on buses and storefronts. Giving it a Moschino touch, he somehow made it look completely at home on a flared dance dress. Though Moschino is usually treated as peak Italian, Appiolaza reminded us by telling WWD that Franco Moschino loved an “open source” approach. To him, inspiration came from everywhere. Legend has it that it was the founder’s Spanish boyfriend who inspired the polka dots and flamenco flair that had baked into the brand’s DNA. Photo: Giovanni Giannoni/WWD There was even a clever cartoon parallel complementing Moschino's affection for animated iconography. Franco adored Olive Oyl from Mafalda. So, Appiolaza brought in Argentina’s rebellious little comic heroine who loved The Beatles, hated soup and questioned everything. Photo: Giovanni Giannoni/WWD On the runway, structured jackets, strong shoulders and clean lines led the charge. The denim moments brought in a lot of fun while flirty ruffles, heart-shaped cutouts and oversized accessories had their own spotlight. Photo: Giovanni Giannoni/WWD The clothes swung between costume and commentary. More than tailoring, it was the storytelling that stole the spotlight. Tango dresses flared ready for a stage while gaucho touches leaned into romantic countryside energy. Football details brought in a loud crowd energy as novelty bags made the boldest statements. A love letter to Appiolaza’s home, you could feel the homesickness in the room. The pride and curiosity that is visible in the designs honored Franco’s anything-goes spirit. For a fall wardrobe, there were a lot of ideas. So many references that the silhouettes sometimes got lost in the mix. The characters were strong indeed, but the structure, not always. “I don’t think Moschino necessarily needs to be about a certain culture or a certain group of people,” Appiolaza confided backstage. “In fact, he gave the brand the freedom to be just creative. When you feel passionate about something, just show it.” Photo: Giovanni Giannoni/WWD The finale leaned into one of fashion’s favorite subjects: money. Appiolaza kept the final act a bit cheeky as a model walked out dressed like a sharp banker in a clean suit. Upon looking closer, her heels were covered in fabric euro bills and she carried a leather piggy bank under her arm. This was indeed Appiolaza making a point about money in the most Moschino manner. Funny, and very bold. The front row was stacked with A-listers like Heart Evangelista, Thai stars Keng Harit and Napatsakorn Pingmuang. The crowd clearly loved this modern and refined Moschino, which was surreal yet fully aware. All in all, this was an important night for Appiolaza. Instead of just copying the archives, he was testing how much of his own story could be told with the Moschino lens. It struck an emotional chord with the crowd that would opine on and wear the designs in style.

Words:  Lorianne Wilbur Article Edits:  Laura Casella Photo: Courtesy of Bottega Veneta via Instagram Milan 2026 saw Bottega Veneta’s height of sophistication with their winter show, of which showcased a plethora of gender-neutral outfits. Photo: Courtesy of Bottega Veneta via Instagram Many of the female models wore beanies to give them a more androgynous look, and faux fur coats and trench coats which are bulky in the shoulders. Such use of space is rarely traditionally seen on female models amid the height of the “skinny epidemic” that tends to plague women these days. Photo: Courtesy of Bottega Veneta via Instagram Sophisticated and modest pantsuit outfits further showed grey sweaters with grey dress trousers which are heavy on the model, as well as a beautiful red voluminous sweater over red pants. The lack of form did not take away from the stunning nature of their presentation. In fact, it seems to be a healthy change for society to see outfits on models which do not place emphasis on their thinness. Imagine a million young female viewers watching the show online. To them, Bottega Veneta seems inspired to say: “being thin isn’t everything.” Photo: Courtesy of Bottega Veneta via Instagram  Radiant, solid-color gowns and suits of varying colors: some black, some white, and some red grabbed the attention of the audience immediately.  A large leather jacket is also shown, as well as bulkier dresses, sleek fur dresses and coats with matching caps. Yet it’s faux fur of course, along with other materials, having banned fur amid their platform since 2022. Photo: Courtesy of Bottega Veneta via Instagram Furthermore, it’s not just women wearing outfits which are more dominant and masculinizing, the men too can be seen wearing pink dress shirts and faux-fur coats around their waists highlighting their thinness and femininity. A sleek black fur gown which belles at the bottom and a long black leather trench coat emphasize that style is based on more than fit and form. Indeed, Bottega Veneta seems to be an Italian brand based on compassion and the goodness of human nature.

The Denim of now came to Milan in 2026. Words:  Lorianne Wilbur Article Edits:  Laura Casella Photo:  Courtesy of Diesel via Instagram Diesel is redefining what it means to wear jean material. Imagine elegant belle skirts that are denim but don’t appear so in their fit or form. A tulle skirt piece that again seems made from jeans yet fits nothing like it traditionally would: and made beautiful. Photo:  Courtesy of Diesel via Instagram Tight fitting blue tights with sexy heels fits into this classy look. It’s all denim and every piece looked good. Photo:  Courtesy of Diesel via Instagram Photo:  Courtesy of Diesel via Instagram The show was a presentation of denim as art and showcased with a paint-splattered beige vest over a cool, multi-colored lacey skirt and bright red leather boots. The collection featured colored white collared shirts ranging from sensually plunging V-necks to more modestly buttoned styles, showcasing the true versatility of this material. Photo:  Courtesy of Diesel via Instagram This look is made cooler by the idea that these outfits may be recycled and used over again. Indeed, along the runway sidelines are recycled-looking kick knacks reinforcing the message that recycling is cool in an age where this sentiment is ever-present.    Diesel has evolved what it means to wear denim in 2026 by reinstating the notion that denim is now elegant for the environment.

Philipp Plein braced for fall with a versatile 2026 collection showcased at Milan Fashion Week, telling Vogue, “Bling is coming back; it’s definitely time for that.” Words: Laura Casella Photo: Giovanni Mocchetti/Courtesy of Philipp Plein Models emerged on a white marble staircase which resembled snow, blurring the line between the cold seasons. Utilizing bold colors, dazzling fabrics, heavy jackets, jaguars, boots and fur, this collection is built for the chill while staying true to Plein’s high-octane style. Plein continued, stating that the collection served as a “journey from daytime to evening,” a notion that is clearly felt throughout this extensive range. Photo:   Giovanni Mocchetti/Courtesy of Philipp Plein Plein emphasized with each unique entrance that daytime looks deserve just as much shine as the night stars. This revival is showcased through an attention-grabbing short, bedazzled long-sleeve dress featuring a black panther and falling palm fond leaves. The look is grounded by tall, sparkly black boots to keep the aesthetic and the legs warm. Photo:   Giovanni Mocchetti/Courtesy of Philipp Plein Making casual wear glamorous, a male model arrived in an autumn-brown varsity jacket featuring "Plein" emblazoned on the right with striking black and orange jaguars patched on the sleeves. Paired with a clean white undershirt and brown pants, the ensemble successfully elevates a classic silhouette into something high-fashion. Photo:   Giovanni Mocchetti/Courtesy of Philipp Plein As the collection transitioned to the evening part of the journey, a dress emerged that captured the essence of nighttime mystery. A timeless look made relevant to this collection was a long, shimmery black gown with long sleeves, a deep plunging V-neck and a thigh-high slit that revealed a hidden jaguar print on the inside. Accessorized with a clutch bag featuring a dollar sign, the outfit symbolized high glamour and timeless elegance. Photo:   Giovanni Mocchetti/Courtesy of Philipp Plein The men’s evening look arrived simple and classically stunning, offering a crisp and formal alternative to the heavier daytime layers. The model looked vibrant wearing a bright white turtleneck sweater layered under a tailored white wool coat. Paired with light grey pants and completed with white shoes, it was a blank canvas featuring nocturnal sophistication. Photo:   Giovanni Mocchetti/Courtesy of Philipp Plein The women’s coats astonished the audience starting with a classic European white and brown fur hooded coat, styled with a high slit and black boots, providing a regal component to evening wear. Another houndstooth coat followed, framing the model's decolletage with brown and orange fur that echoed the jaguar theme. The deep plum heeled boots completed the piece, serving as a reminder of the classic fall style.   Through this seamless blend of cold-ready textures and unapologetic shine, Plein proves that whether under the autumn sun or the city lights, the pursuit of glamour never sleeps.