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As industries evolve and economic pressure intensifies, access to meaningful job training is no longer optional it’s essential. And for many in underserved communities, it can mean the difference between stagnation and stability. At the heart of that work is Dr. Danielle Robinson, Head of Community and Engagement Partnerships at Diageo North America, the powerhouse behind the transformative Learning Skills for Life (LSFL) initiative. More than a hospitality training program, LSFL is a pathway one built deliberately for people often overlooked: underrepresented groups, veterans, individuals restarting their lives, and those simply seeking a real chance. Over ten years, more than 5,000 graduates have moved through the program, carrying with them new skills, new confidence, and in many cases, entirely new careers. Interview by Angel Neal When I ask Dr. Robinson to describe LSFL in her own words, her answer is grounded, direct, and full of purpose. “Learning Skills for Life is our flagship community and hospitality training program,” she explains. “It’s hands on bartending and hospitality training, but also entrepreneurship and soft skills financial acumen, budgeting, teamwork, appreciation of disability, diversity, and inclusion.” This isn’t just training it’s life building. The communities LSFL serves often face unseen and unspoken barriers. According to Dr. Robinson, one of the biggest is simply awareness . “People don’t know how much opportunity exists in the hospitality industry,” she says. “Not just bartending but bar managers, event planners, lawyers, HR, finance. This industry is consistent. People always need it.” Where most programs teach the “what,” LSFL teaches the “how,” “why,” and “what’s possible.” What makes LSFL different is that it’s created from the community outward. “It’s run by a spirits company, but designed with the community in mind,” she emphasizes.“It’s quic anywhere from one to six weeks but powerful. People graduate and get jobs . Or they launch their own mobile bartending business. That’s the point.” It’s job training with intention. And the stories reflect that. Dr. Robinson lights up when talking about her students. She has hundreds of stories, but a few the transformative ones anchor her purpose. She talks about a young woman from one of their early cohorts: “She’s so busy now I can barely keep her with me,” she laughs. “She’s been on ‘Bar Rescue,’ worked the Grammys, started her own mobile bartending company. She consults on bar menus. She’s touched every part of this industry.” Another student in Houston, a military veteran starting over, walked in shy and unsure and walked out a keynote speaker. “I told her, ‘Speak from the heart.’ She became valedictorian. Now she speaks publicly for a living.” There are also students escaping domestic violence. Students seeking asylum. Students rebuilding from scratch. LSFL doesn’t treat them as trainees it treats them as whole people. “We deal with the whole person,” Dr. Robinson says. “Childcare, resumes, mock interviews whatever it takes to truly set someone up for success.” I ask her how it feels to spot LSFL graduates behind real bars, in real restaurants, living the life the program helped unlock. Her smile is immediate. “It’s fulfilling,” she says. “We keep track of our students. When I’m in D.C. or Connecticut and walk into a bar and see them creating great cocktails it feels incredible.” While Dr. Robinson didn’t personally attend an HBCU, her dedication to those institutions is undeniable. “I love the culture, the camaraderie, the family of HBCUs,” she tells me. “We want to be a corporation that shows up .” That’s the heartbeat of Diageo’s Show Your HBCU Spirit campaign, presence, partnership, and pride. HBCUs produce creatives, leaders, and innovators, the kind of people who thrive in hospitality when given the right tools. “It’s a legal hustle all day long,” she says. “We teach them it’s not just about the cocktail it’s the experience. People follow bartenders because of how they make them feel.” In a landscape where cost of living is rising, free training becomes vital. “Bartending classes run about $900,” she reminds me. “We offer it for free. It’s a leg up especially now.” When I ask how Diageo builds relationships with local partners, her answer is strategic and layered. “It’s multi pronged,” she explains.“We work with national accounts Hilton, Marriott, Applebee’s and partners like Goodwill Kentucky and the National Urban League. Our online modules fit right into HBCU business school curricula.” This is not charity. It’s ecosystem building. Her vision for the future of LSFL is expansive. “I hope it continues to grow beyond bartending into deeper hospitality and entrepreneurship,” she says.“And that people know who we are that we show up, that we’re present, that we’re in community.” Her message is simple: “It’s going to be okay.”“If you made it through four years of college, PWI or HBCU you are prepared. Have confidence. Put the phone down and talk to people. Human connection makes you more valuable than AI ever will.” As holiday season approaches, she encourages a balance between strategy and self care. “Do your research, find companies that align with you but also rest and restore. It’s been an emotionally stressful year.” A new LSFL website launches soon, but for now, students and alumni can start online: “Diageo Bar Academy is the place. And soon, diageolearningskillsforlife.com . The modules are interactive, global, and you can complete the online program in a weekend.” “Seeing my students do big things,” she says softly.“Some launched conferences, like ‘Raise the Bar’ in the DMV. People making careers, showing up at homecomings, enjoying our cocktails responsibly that’s what keeps me going.” I ask her to fill in the blank: Empowerment means… “Being motivated internally to reach for the highest of the highest,” she says.“If one route doesn’t work, pivot. Don’t give up. Success changes day to day, Dr. Robinson admits. I’m a mom, a first lady, part of many community groups. But success is closing your eyes at night and saying, ‘I did a good thing today.’” Employment isn’t just about a paycheck it’s about identity, dignity, and direction. And programs like LSFL don’t just place people in jobs; they open doors to possibility, wealth building, and community impact. And as Dr. Robinson reminds us sometimes one class, one invite, or one moment can change a life. Like the student who casually mentioned she had 250K followers, and walked out with a global Smirnoff partnership the same day. In this industry, timing is everything.But access is everything else.

When you meet Chef Kolby Kash, you can feel it that down south flavor, that Houston energy, that unapologetic “I’m gonna do it my way” kind of confidence. The MasterChef alum has become a fan favorite for his soulful plates, bold personality, and his ability to bring love and storytelling to every dish he creates. Whether he’s blending Creole and Texas heat or sharing recipes on TikTok, Chef Kolby embodies what it means to cook and live with heart. Words by Angel Neal “Houston is like my love story with how I got into food,” Kolby says with pride. “Growing up here, you get everything, Southern, Creole, Tex-Mex, Korean fried chicken, Vietnamese crawfish boils it’s a melting pot. That diversity shaped my palate and the way I cook.” The fusion runs deep in his bloodline too. “My grandpa’s from Houston and my grandma’s from Louisiana. That’s the first time I saw the fusion and now I see it in everything from gumbo to crawfish étouffée.”That blend of flavor and culture gave Kolby his culinary DNA bold, layered, and versatile. “Houston taught me to be a versatile cook,” he says. “It’s why I can play with flavors and still keep it authentic.” Before the cameras, before the seasoning line, there was Paw Paw .“The first lesson my grandpa taught me was that men cook,” Kolby laughs. “He’d invite me into the kitchen when I didn’t know where to fit in not outside with the guys, not gossiping with the ladies and that became our thing.” That kitchen became a classroom. “He’d call me up and say, ‘Kolby, taste this what do you think it needs?’ Over time, he trusted me more in the kitchen, and I trusted myself. He’s probably the reason I even started cooking.” Kolby grew up surrounded by boys, brothers, cousins, uncles and they all cooked. “My grandpa taught us to be independent. Cooking was part of that. And I’m so glad he did.” Ask Kolby to describe Creole food, and he doesn’t talk ingredients first he talks emotion .“Creole cooking is love,” he says. “You can’t rush it. Gumbo takes 45 minutes just to make the roux you stir, you wait, you build flavor. The more time you spend with it, the better it gets. That’s love.” For him, Creole cuisine is a language of care. “It’s family, fellowship, and flavor. It reminds me of home. And when you taste it boom it hits you. French technique meets Southern soul. That’s Creole.” If you walked into Kolby’s kitchen on a Sunday, expect music, laughter and a mashup menu that screams Houston.“Spaghetti and fried catfish. Maybe some potato salad and a green salad,” he grins. “People outside Houston don’t get it spaghetti is a main and a side here!”He even laughed when Megan Thee Stallion confirmed it online. “I was like, see? That’s a Houston thing! Sundays are about comfort, and that’s comfort food right there.” Kolby’s approach to food is all about building layers. “Season as you cook,” he says. “Start light, because you can always add, but you can’t take away.” His secret weapon? Aromatics. “Salt’s just a flavor enhancer. You get real depth from onion, bell pepper, celery, garlic the holy trinity. Use chicken stock instead of water, and boom flavor without too much salt.” Even with millions of views and brand deals, Kolby stays inventive. “I like remixing classics,” he explains. “Everyone does banana pudding what if I do strawberry? Or gumbo without okra? Cooking should evolve with your taste.” He finds inspiration in family. “I cook for my brothers all the time if they don’t like it, I’ll tweak it. That’s how you stay creative you cook for those you love.” Kolby’s rise to fame started accidentally like many 2020 stories do. “I was bored during the pandemic,” he laughs. “Living with my best friend and cousin, drinking wine every day. I didn’t even know what TikTok was until they showed me.” His first food video? A smoothie. “It got 100 views I thought that was viral!” But consistency turned fun into opportunity. Within months, Top Chef Amateurs and MasterChef came calling. “I quit my job after my first brand deal,” he says. “When you find something you love and can live off it go for it.” Competing on MasterChef was a defining experience. “It was like culinary boot camp,” Kolby says. “We learned how to refine from perfect steaks to soufflés. I realized I’m not just competitive I’m a good competitor.” And while Gordon Ramsay’s critiques are legendary, his mentorship hit deeper. “When I got eliminated, he told me, ‘This is just the beginning for you.’ It sounds cliché until it’s coming from Gordon Ramsay. That moment reminded me I’m exactly where I’m supposed to be.” When fans started asking to taste his food, Kolby saw an opportunity. “I can’t cook for everybody,” he admits, “but I can give them a piece of me in their kitchen.” Enter Bayou City Blends, his seasoning line that fuses Texas boldness with Creole soul. He worked with a Black owned co-packer in Houston to perfect his mixes. “It took a year nailing the balance of garlic, onion, lemon zest, flavor without too much salt. My favorite is the Tex-Creole blend that’s home in a bottle.” For Kolby, success isn’t about followers or fame anymore. “It’s when someone DMs me saying, ‘I cooked for my wife and she loved it,’ or ‘You helped me learn from my grandpa again.’ That’s it. That’s the win.” He adds, “I remind myself of a Bob Marley quote if you’re chasing happiness in numbers, you’ll never find it. Focus on who you’re reaching , not how many.” Kolby credits his family for keeping him balanced. “They’re my foundation,” he says softly. “When I got eliminated, my grandpa told me, ‘You're my horse even if you never win a race.’ I’ll never forget that.” It’s that kind of love and support that fuels everything he does. When asked is a cookbook in the works; “We’re working on it!” he teases. “Recipes, stories the full Bayou experience. We want it to feel like sitting at my family’s table.” And if his story teaches us anything, it’s that cooking like life is better when it’s seasoned with love, patience, and purpose. “If you’re doing something you love,” Kolby says, “you can find happiness and success in that. Stay true to yourself. Stay grounded. And keep stirring the pot.” To keep up with all things Chef Kolby Kash please follow him here @chefkolbykash .

At just 25, Toni Bravo has cemented herself as a powerhouse content creator, beauty entrepreneur, and fashion force. Affectionately known in the beauty world as “The CEO of Blush,” Toni has turned her passion and curiosity into a career built on authenticity, inclusivity, and artistry. Words by Angel Neal Photography by Grace Bukunmi From her early days as a shy makeup enthusiast to becoming a visionary voice shaping today’s beauty culture, Bravo’s evolution is nothing short of inspiring. Recently recognized by Rolling Stone as one of 2024’s 25 Most Influential Creators  and celebrated in Forbes’ 2025 30 Under 30 list for Social Media, Toni Bravo shows no signs of slowing down. We sat down with her to explore her journey from shy makeup beginner to beauty innovator and fashion tastemaker. When asked what drew her to blush specifically, Toni admits the product choice was rooted in fear. “Honestly, it scared me the most going into making beauty content,” she says. “I actually didn’t wear any makeup, so blush was the first thing that actually spooked me out a little bit. I just decided to go for it.” That leap of courage, she explains, resonated with her audience, drawn to the joy and vibrancy of trying on color. Toni has played a pivotal role in pushing brands to expand their blush ranges with inclusivity at the forefront. “It’s about looking at the shade families they’ve already created and making sure what we’re adding works for all consumers,” she explains. “I see it as humanizing the people who are actually buying these products, not just creating shades that look fun or cool.” Her thoughtful approach to collaboration ensures every product is usable and inclusive. Her experience at Rare Beauty further informed her perspective. “That was my first real stint in the beauty world, straight out of college. I understood where gaps existed within diversity and inclusion. That was a lightbulb moment for me, creating content centered on my own experience, something I wasn’t seeing in the space at all.” Working with brands like Tower 28, Toni describes her process as collaborative and precise. “I adore Amy and the Tower 28 team. They understood me immediately, even when I described a shade as an emotion or feeling. There’s really never been any miscommunication. It was fun, beautiful, and something I’d do 10 times over.” Her commitment to honesty also defines her brand partnerships. “Not being authentic benefits nobody,” she says. “Honest reviews and transparent feedback actually help brands improve. Community is built on authenticity and respect.” Toni’s curiosity doesn’t stop at makeup. She’s recently ventured into fragrance, creating a growing sub-community around scent layering and exploration. “I was sent a bunch of fragrances, and I started sharing my opinions. People started asking for my take on new launches, and organically it snowballed into this sub-community. I love making fragrance approachable and fun.” Her upcoming collaboration with Le Monde Gourmand reflects her cinematic sensibility. “My mood board was full of cozy, elegant, Nancy Meyers inspired visuals, movies, places I’ve traveled, and the feelings I associate with them. Turning those visual elements into a scent has been a dream.”From makeup to fragrance to fashion, Toni defines her space in the industry through authenticity and personal style. “Documenting yourself over time lets you see how your style evolves. I encourage my audience to feel an authentic connection to what they wear, buy with intention, not just to collect.” EAU DE PARFUM AURA DE VANILLE EAU DE PARFUM 1 fl oz / 30 ml • Regular price $30 *Toni’s dream scent comes to life with Aura de Vanille, a warm gourmand. Vanilla milk melts into salted jasmine, grounded in cashmere woods. Soft yet indulgent, it wraps you in a cocoon of sweetness that feels undeniably yours. B uy Here . As a Black woman in beauty and fashion, Toni recognizes the importance of visibility and inclusivity. “Existing as a Black woman in this industry naturally calls attention to inclusivity, whether explicitly or not. A lot of people use my content to decide where to spend their money, so my perspective matters. Inclusivity has always been an anchor for me. Collaborations with industry icons like Pat McGrath and Patrick Ta have offered Toni a deeper understanding of artistry and longevity. “Being around pioneers reminds me it takes years to become ‘overnight.’ It forces you to zoom out and appreciate the foundation we’re building our communities on.” Recently, Toni purchased and renovated a 1920s Spanish-style home in LA, working with interior designer Lisa Road. “It means everything. I spend so much time at home, so creating a space that reflects me is paramount. I wanted it done right the first time, timeless, and true to my energy.” Featured in Rolling Stone , Forbes , Vogue , and The New York Times before 25, Toni is mindful of the legacy she’s creating. “Sometimes it’s hard to visualize how many people are impacted by your work online. Seeing it in traditional publications reminds me that this is bigger than me.” Disruption, she explains, is at the core of her ethos. “Whenever I show up on social media, I cause some kind of disruption—often positive. In beauty and fashion, being a disruption is about speaking up and using your voice. Change doesn’t happen without disruption.” Asked what she hopes people will say about her in 10 years, Toni’s answer is simple yet profound: “I hope they’ll say I’ve become more of myself. Every year I get closer to that, and I hope it’s apparent to those on this journey with me.” Toni Bravo is not just a content creator, beauty entrepreneur, or fashion personality, she’s a curator of experiences, a champion of inclusivity, and a disruptor shaping the future of beauty and fashion. And through it all, she remains unapologetically herself.

This year at CultureCon 2025, Disrupshion Magazine stepped into the heart of Brooklyn to capture the essence of modern creativity through fashion. The two-day event brought together a vibrant mix of tastemakers, innovators, and visionaries, each expressing their individuality through fearless, street-inspired style. From elevated casualwear to avant-garde silhouettes, these looks redefined what it means to be original. We caught up with 20 standout creatives who were truly #DisruptingTheStreets. Dive into our curated roundup and discover the ones setting the tone for the next wave of culture and style. Words & Photography by Angel Neal Designer @joseph_mcrae wears one of his orginal desgins and his signature stacked beanie in this plaid striped monochromatic two piece set with matching bag. Very chic @sarahpriscaa is serving up simplistic diaspora as she rocks a pleated top, straight leg jeans and a Bananna republic bag that complemented her headpiece. Celebrity make-up artist and glam gurus @mandisavonette &   @heynelli  is downtown chic with edge. A sexy mataching denim set and a graphic tee with a statement skirt and just the right amount of accessories always does the trick. The cats out the bag as we caught up with @Briixmello  & @Flowerzsasha  they told us they were wearing Chance The Rappers new fashion line. We love how the ladies made it their own. Designer @casloncato reminds us sometimes less is more. He looked dapper in a black ensemble topped off with a classic beret and a striped over shirt. It’s all about brand awareness. Not sure of this Disruptors name but he did link us in with his brand page so definitely check out @eltsuhny for fresh and unique finds. It’s all about Caribbean designers as @zoe.mercedes let us know she was proudly wearing multiple designers enriched in her culture. One things for sure she can definitely teach us about a statement earring! Simply dapper _keywavy let us know paisley will never go out of style. He must be related to the Andre 3Stacks gene pull because the outfit was minimalism but done just right. @thesequinunicorn The color of joy and Black excellence @thesequinunicorn serves up a statement timepiece with a flower crown that complimented her ensemble. From head to toe she looked and her energy was marvelous. @kayratheodore Local fashion disruptor and model @kayratheodore always serves a look. She gave us feminine punk glam rock and everyone was eating it up but it’s clear that she’s the one that ATE! A little ode to the 90’s stylist @mrbrianlamont served up a patterned 2piece set that gave us nostalgic black culture vibes. It just felt good. An super chic outfit and a even better personality @rissasochic reminded us it’s time to break out the lather honey. The icing on the cake she topped it off with a grill, we love that. A statement dress will always make a statement. We loved this color blocking and slightly oversized stripe dress worn by @zariaa.gray ! Creativity is in his genes and his everyday work life balance. Flowers on the face, hello disruption. We are living the boho and artsy vibe of @albowmanofficial complete look. @kelsleynicole Natural hair enthusiasts @kelsleynicole brings the sparkle. She rocked a muted ensemble with a vibrant acrylic bag that was the icing on the cake in addition to her crystal chocker. @chloejjarri Chole @chloejjarri gave us sophisticated yet downtown chic the Brooklyn way. A pleated denim skirt with a NY fitted that complemented the vibe. Well done. Muslim beauties for the win, miss @dyanabratz taught us a lesson in melanin layering. We also loved the multicolored dress it’s effortless and regal. @__st.jude__ A professional storyteller is what @__st.jude__ calls himself. Wellmone things for sure his fashion is definitely a story we’d like to know more about. We love how he styled this funky multicolored jacket. @mrtimvictor Singer and songwriter @mrtimvictor let’s us know his vocals aren’t they only thing that can hold a melody. As he effortless styled this look. Reminding us sometimes you have to let your chest breathe. @califace @taiilormade Fashion is better with friends. Model @taiilormade & hair guru @califace served up complementary statement black ensembles blending feminine edge.

Emmy-nominated choreographer and actor Dondraico “Draico” Johnson is no stranger to shaping culture through movement. From sharing the stage with icons like Michael Jackson, Janet Jackson, and Madonna to choreographing Disney’s latest summer blockbuster ZOMBIES 4: Dawn of the Vampires , Draico’s work fuses authenticity, heart, and cultural texture—always making sure characters feel human, relatable, and real. Words/Editor In Chief: Angel Neal Photography: Neely Townes “Over the years, I’ve been able to be true to who I am, and bring what I bring to the table,” Draico says. “Especially with the Zombies franchise—I just made them real people. If you put the two squads side by side, one could be from Chicago, one could be from Atlanta. I had to put a little flavor on it.” Raised in Fort Lawn, South Carolina—a town with one stoplight—Draico never imagined dance would become his calling. Sports were his first love, but an unexpected audition while studying at Morris Brown College shifted everything. “I had never been to a dance audition before. I just went to support my friends,” he recalls. “They all got cut—and I didn’t. That moment changed my life.” From that first break, Draico’s career skyrocketed. He toured with TLC’s protégés Blaque, danced for global superstars, and later earned his Emmy nomination for Genius: Aretha . His film credits include Ghostbusters (2016), The Conjuring 2 , Haunted Mansion , Step Up All In , and Dirty Grandpa —just to name a few. For Draico, choreography is never just about steps—it’s about storytelling. On ZOMBIES 4 , filmed in New Zealand, he was intentional about bringing representation to the cast and dancers. “When I got there, there was nobody who looked like me,” he says. “I told the producers, ‘You’ve got to increase diversity.’ And they said, absolutely. We brought in Black dancers, plus-size dancers, dancers of all backgrounds. I wanted kids watching to see somebody like themselves on screen.” That commitment to representation extends to how he builds movement for new generations: “The new generation doesn’t want just a step-touch. They want to move like us. So I gave them authenticity—movement from the streets, movement with sauce. I had to make them real.” When asked about career-defining artist collaborations, Draico lights up speaking about Janet Jackson. “She’s royalty. When I booked that job, I was ecstatic. But what stood out was how personal she was. She invited all the dancers to her home in Malibu. During fittings, she sat with each of us individually—talking, laughing, getting to know us. That changed how I approach everyone else. She’s top tier.” He also names Miley Cyrus as one of his favorite artists to work with: “She was so supportive of her dancers—making sure we looked good, felt good. It was very real, very genuine.” With the rise of AI, TikTok, and global streaming platforms, Draico sees choreography stepping into its long-overdue recognition. “Choreography has always been the piece of the puzzle that brought everybody together, but also the piece people overlooked,” he explains. “Now, with socials, people are seeing our faces and our value. You can duplicate steps with AI, but you can’t duplicate that live feeling—the adrenaline of the stage, the energy of a crowd. That can’t be replaced.” When he’s not on set, Draico invests in the next generation through In The Groove dance workshops and mentorship. His advice to young creatives is simple but powerful: “Be true to yourself and keep creating—even when you feel like nobody’s paying attention. You’ll create your masterpiece. Don’t give up, don’t compromise your morals, and never stop making.” Whether choreographing blockbuster films, acting, or mentoring, Draico continues to redefine what it means to be a choreographer and creative force in Hollywood. His work is a reminder that movement is more than dance steps—it’s storytelling, culture, and connection. And as he steps into 2025, one thing is clear: Dondraico Johnson is just getting started.

From R&B heartthrob to powerhouse creative, Marques Houston has been captivating audiences for more than three decades. From his days serenading us with Immature  and IMX  to his breakout TV role as Roger on Sister, Sister , Houston has evolved into an unstoppable storyteller. And with his latest project, the gripping sci-fi thriller RUN, he’s proving he’s nowhere near done rewriting the script. RUN   — from Footage Films — hits theaters August 29th and takes audiences on a wild ride filled with suspense, action, and unexpected twists. Words by Angel Neal Marques not only stars as Andre, a man forced to make an unthinkable sacrifice for love, but he also co-wrote the film, blending heart-pounding survival with emotional storytelling in a way that keeps you on the edge of your seat. Today , we’r e diving into his creative process, what it took to bring RUN  to life, and how he continues to reinvent himself — both in film and in music. “This film is about pushing limits — for the characters and for me as a creator,” Marques tells Disrupshion Magazine. “I wanted to challenge myself, to tell a story that makes people sit up and really think, ‘What would I do in this situation?’” Directed and written by longtime collaborator Chris Stokes, RUN brings together the creative powerhouse behind Footage Films. Stokes and Houston have built a reputation for delivering bold, unexpected stories, and this project is no exception. “Chris and I have worked together for years,” Marques shares. “He knows how to craft suspense and tension in a way that really keeps audiences locked in. With RUN, he pushed us all creatively — it’s a ride from start to finish.” The film’s synergy between Stokes’ direction and Houston’s production vision, combined with the powerhouse performances from— dives headfirst into high-stakes suspense, following a man caught in a deadly game of survival where nothing is as it seems. “It’s definitely the most intense project I’ve been part of,” he admits. “We wanted to blend action, sci-fi, and emotion in a way that feels fresh. It’s not just about explosions — it’s about humanity, choices, and consequences.” RUN isn’t just packed with suspense — it delivers a cinematic nod to classic horror and thriller traditions, including a touch of scream queen energy. Houston was intentional about casting powerful female leads like Drew Sidora, Erica Mena, Claudia Jordan, Erica Pinkett, and Annie Ilonzeh to bring intensity and depth to the film’s most high-stakes moments. “I’ve always loved those classic thriller vibes,” Marques says, smiling. “We wanted the women in this film to be strong, layered, and unforgettable — not just victims, but forces that drive the story forward.” He credits the cast for elevating RUN into more than just a survival story: “When you’ve got actresses like Drew, Erica, and Annie, you know you’re working with talent that can deliver emotion and edge. They brought that scream-queen energy but flipped it on its head — they’re not running from the danger, they’re redefining it.” This gives the film a stylish balance between adrenaline-pumping thrills and female-driven power, making RUN feel just as unpredictable as it is cinematic. But beyond the big-screen adrenaline, RUN is another milestone in Houston’s ongoing transformation from performer to power player. Over the years, he’s built a reputation for taking creative control of his career, directing, producing, and writing stories that reflect his evolving perspective. “I’ve been blessed to grow up in this industry, and now I’m focused on creating opportunities — for myself, for my team, and for other creatives who look like me,” he says. “At this point, it’s bigger than just me.” Still, fans of his music days shouldn’t worry — Houston hasn’t forgotten where he came from. He credits his early years in R&B with teaching him discipline, storytelling, and how to connect emotionally with audiences. Those skills, he says, are just as vital on set as they are in the studio. As for what’s next, Houston hints that RUN is only the beginning of a bigger vision for Footage Films and the types of projects he wants to bring to life. “We’re building something special,” he teases. “Stories that are different, stories that hit home — that’s what drives me now.” Marques Houston continues to push creative boundaries and keep us guessing at what he’ll do next. With RUN hitting theaters August 29th, audiences can expect an emotional, action-packed ride that proves he’s just as powerful behind the camera as he is on-screen. And with new music on the way — including his latest single ‘Hold On’ featuring Kodak Black — Marques shows no signs of slowing down. Whether it’s music, movies, or storytelling, one thing’s for sure: this next chapter of his career is only just beginning.

Singer-songwriter Elle Winter has never shied away from vulnerability, but with her upcoming EP, she’s entering a bold new chapter — one rooted in self-discovery, empowerment, and authenticity. With over 30 million streams under her belt, past collaborations with Grammy-winning producers, and performances on some of music’s biggest stages, Elle has spent years quietly building a loyal fan base. Now, with the release of her newest single, “Never Even Met Her” — recently dropped on August 15th with a music video to follow — she’s ready to let the world in on her most personal work yet. “This song sets the tone for the whole project,” Elle tells us. “It’s about reclaiming my narrative and embracing who I am on my own terms.” Discovered as a teen on Radio Disney’s “Next Big Thing” , Elle has been chasing her dreams since she was young — and those early years shaped the confident artist she is today. “Starting so young taught me discipline, confidence, and how to trust my instincts,” she reflects. “It also exposed me to the realities of the industry early on, which pushed me to figure out who I was as an artist.” Growing up in New York City also played a defining role in her artistry. The city’s energy, diversity, and rhythm gave her a creative foundation, while its competitive spirit built the resilience she carries today. “That energy definitely translates into my music,” she says. “Never Even Met Her” is the emotional heartbeat of Elle’s upcoming EP. Written after a breakup, the song tells the story of betrayal and reinvention. “I learned my ex was spreading false rumors about me,” she reveals. “Rather than letting it upset me, I took back the narrative. The girl he was talking about wasn’t even me — she was someone I’d never met. Writing this song felt liberating.” Working alongside The Orphanage — the hit-making producers behind Lizzo, Demi Lovato, and Sabrina Carpenter— Elle has found a sound that blends anthemic pop energy with emotional depth. It’s a sonic homecoming, she says, where she feels free to experiment, push boundaries, and tell her truth. Elle’s upcoming EP isn’t just about heartbreak — it’s about resilience, self-confidence, and humor in the face of life’s curveballs. “The EP is bold, honest, and empowering,” Elle explains. “It’s about embracing who you are, finding humor in the hard moments, and refusing to let others define you.” Her 2023 single, “Help” , marked a pivotal shift in her artistry. Written during a period of introspection, the song tackled themes of vulnerability and asking for support — something Elle had struggled with after years of growing up in the entertainment industry. “I realized that asking for help doesn’t make you weak,” she says. “It actually builds deeper connections. That realization opened me up to writing more honestly than ever before.” While her music career continues to soar, Elle is also a student at the University of Pennsylvania — a dual path that fuels her creativity in unexpected ways. “My studies and my music actually complement each other,” she shares. “The concepts I learn and the people I meet often inspire my songwriting.” When she’s not in the studio or on stage, Elle draws inspiration from film, literature, visual art, and conversations with the people she loves. With the “Never Even Met Her” video on the way and her EP on the horizon, Elle is embracing this era as her most authentic self yet. “This moment feels really exciting,” she says. “I’m proud of the music I’m about to share and grateful for the journey that got me here.” Elle hopes her new music leaves listeners feeling empowered, understood, and unafraid to stand in their truth. “I want people to walk away with a sense of confidence,” she says. “You don’t need to prove yourself to anyone. These songs are like a friend reminding you of your own strength.” From her Radio Disney beginnings to working with industry heavyweights and crafting music that resonates with millions, Elle Winter is stepping fully into her power. And if “Never Even Met Her” is any indication, this is just the beginning of her most compelling chapter yet. Elle’s new single is available now on all streaming platforms. Stay tuned for the official music video and the release of her highly anticipated EP. Stay up to date with all things Elle Winter here: @ ellewinter .

When Tommy Miles — better known as “Nephew Tommy” — walks into a room, he doesn’t just host; he commands the vibe. For ten seasons, the smooth-talking matchmaker has been the heartbeat of OWN’s hit dating series Ready to Love , guiding singles in their 30s and 40s through the messy, magical journey of finding real connection. Now celebrating a staggering 150 episodes, Tommy reflects on why audiences keep showing up — and why, when it comes to Black love, authenticity still wins every time. Tommy can’t hide his excitement when we bring up the milestone. “This is big. One hundred and fifty episodes — that’s nothing to take lightly,” he says with a grin. “Season one in Atlanta, I would’ve never thought we’d be here. This is a blessing.” For Tommy, the secret sauce behind Ready to Love ’s staying power is simple: realness. The show resonates because the cast reflects a familiar spectrum of modern love stories. “We’ve got people in their mid-30s, 40s, even late 40s,” he explains. “Folks who’ve been through heartbreak, career shifts, detours — people who’ve hit bumps and bruises but are still out here believing in love. That’s why viewers connect. They see themselves, their friends, their girlfriends, their cousins on that screen.” And Tommy’s right. Ready to Love doesn’t just showcase romance; it mirrors the audience back to themselves. “When you’re watching the show,” Tommy laughs, “you see someone and go, ‘Oh my God, that’s my girlfriend acting just like that,’ or, ‘I know a brother who trips exactly like that.’ It’s real — that’s us.” Throughout the interview, Tommy drops wisdom that feels part uncle, part coach, part best friend. When we ask about singles trying to find love later in life, he doesn’t hesitate. “The first thing? Patience,” he says firmly. “A lot of us find something, but that don’t mean we found it. You gotta unpack the bag, piece by piece. Everything shiny ain’t for you. Take your time, figure out what you can live with and what you can’t.” In today’s swipe-right culture, Tommy stresses that slowing down and staying grounded is key — especially for people reentering the dating scene after years away. And one thing he thinks everyone could do better? Communicate. “Let’s try talking face-to-face again,” he says. “We get lost in texting, lost on social media. Back in the day, we’d stay up all night on the phone, just talking. That was how you got to really know somebody. You can’t understand somebody’s heart in a DM.” Every season brings a new city, and when we talk about filming in Philadelphia, Tommy lights up. “One thing about Philly? They’re coming — and they’re coming for real,” he says. “The singles there, they ain’t playing. They’re direct, they know what they want, and they bring that energy.” As for the larger conversation about Black love on TV, Tommy gets reflective.“We get to see ourselves,” he says. “We get to see Black love unfold right there in front of our faces — the ups, the downs, the raw truth of it. That’s important. That’s why people tune in.” After a decade of matchmaking, Tommy hasn’t lost his sense of humor — or his optimism. For him, love is still worth the risk, the work, and yes, the patience. “At the end of the day, everybody wants the same thing,” he says, leaning back with a smile. “Somebody who sees you, gets you, and chooses you. That’s what Ready to Love is all about.” Season 10 may mark a milestone, but for Tommy, it’s just the next chapter in helping singles — and viewers — believe in love all over again. Catch Ready to Love Season 10 airing Fridays at 8/7 c on OWN, The Oprah Winfrey Network — now through the fall. Don’t miss the 150th-episode milestone airing on September 26 at 8/7 c. Trust us, you’ll want to be in the audience for that one.

From gracing the stage as a Grammy-nominated vocalist to now helming a rising spirits empire, Melky Jean isn’t just evolving — she’s rewriting the rules. Her latest venture, Saint Savoir 1972 , is more than a premium rum brand. It’s a living tribute to legacy, identity, and the power of reinvention. Photo by: Jaypix photography  Words by Angel Neal We sat down with Melky to talk about her leap from music to entrepreneurship, the inspiration behind her brand, and how she's using her platform to uplift others — all while crafting one of the most exciting new spirits on the market. Before launching her own label, Melky spent years championing the visions of others. “I’ve spent the last 20 years promoting other people’s brands,” she shares. “Throwing incredible parties, hosting unforgettable events — brands knew who I was and would tap me to promote them.” But over time, she realized it was her own story that needed telling. “A light bulb went off. I knew I needed to create my own spirit brand,” she recalls. “It wasn’t an overnight decision. I’ve been working on this for 10 years — but in the last two or three years, it finally came home.” While the industries may differ, Melky sees undeniable parallels between her music career and entrepreneurial journey. “The number one lesson? You need a great team,” she says. “No artist can do it all alone — you can’t be the producer, the label, the lawyer, and the promoter. It’s the same in business. Surround yourself with the right people.” Being an artist, she says, taught her how to build something from scratch — a mindset that’s been crucial in founding Saint Savoir 1972 . At its core, Saint Savoir 1972 is a deeply personal homage to Melky’s Haitian-American identity. “Growing up, I wasn’t American enough for America, and not Haitian enough for Haitians. I didn’t speak Creole fluently,” she explains. “But I wanted to tell a story that brought us together — one that honored the beauty of our dual identity.” The brand’s name carries profound significance: Saint Savoir was the first documented Haitian refugee ship to land on U.S. shores in 1972 — the same year Melky’s mother arrived in America. “It’s a tribute to our resilience and legacy.” The brand’s logo tells a powerful story — a portrait of three generations of Haitian women. “That’s my grandmother on the bottle. She made moonshine in Haiti. My mother makes Haitian cremas. And now, I make rum.” She calls them “three generations of women in spirits,” emphasizing the continuity and evolution of tradition. Each bottle of Saint Savoir is infused with matriarchal magic — a blend of heritage, innovation (the label was designed using AI), and purpose. So what does Saint Savoir 1972 taste like? “Expect the unexpected,” Melky says with a smile. “Our two-year is incredibly smooth — people sip it straight, in shots, or in cocktails. The four-year is bolder, more layered.” Her favorite cocktail? “A Saint Savoir mule. Swap vodka for our two-year — the vanilla and coconut notes mixed with ginger beer and citrus? Out. Of. This. World.” Another hit? “An espresso martini with Saint Savoir. It takes you to a whole new level.” As a Black woman in the male-dominated spirits industry, Melky is intentional about how and with whom she builds. "When it came time to design my labels, I had a choice," she says. "I could’ve outsourced overseas and maybe even saved money, but I didn’t care about that. I chose a Black-owned, female-owned company based in Chicago.” That decision, she says, was about more than aesthetics — it was about impact. “As a Black woman running a spirits brand, I know how vital it is for us to make room for one another in this space. That’s what inclusivity looks like. Giving another Black woman a shot to be part of what I’m creating — that matters to me.” Melky’s entrepreneurial mission is deeply tied to her philanthropic roots. Through her Karma Foundation, she’s been serving communities for over 17 years. “Everything I do has a philanthropic side,” she says. “With Saint Savoir , that continues — whether it’s Haiti, the U.S., or anywhere else, we’re about people first.” Supporters can get involved by visiting the Karma Foundation’s website or following Melky online. “I always post when we need volunteers — whether it's in another country or right here at home.” “Legacy is a story you own — one that uplifts future generations,” Melky says. “It’s something my daughters, my nieces, my goddaughters can look at and say, ‘If she did it, I can too.’” She wants to be a reminder that reinvention has no expiration date. “I heard someone say older women lose their value — but I’m here to prove the opposite. It doesn’t matter if you're too young or too old. You can always pivot. You can always start something new. Do whatever brings joy to your life.” For aspiring entrepreneurs, Melky offers simple, grounded advice: “Know your stuff. Every step of your journey is a form of education. A great leader was once a great follower — someone who listened, who learned.” And finally, she leaves us with a truth that resonates far beyond business: “The obvious isn’t always obvious.” Because sometimes, the boldest moves are the quietest ones — the decisions that reflect integrity, intention, and belief in something bigger than yourself. What's Next? “I want people to say, ‘Wow, I never know what to expect from Melky Jean,’” she says with a smile. “From artist to promoter to entrepreneur — now CEO of one of the most exciting spirits brands in the world.” Her final toast? “ Taste the heritage. Celebrate the spirit. That’s what Saint Savoir 1972 is all about.”

How a self-proclaimed theater kid with a love for K-beauty became the voice of inclusivity in global skincare and makeup. Editor In Chief/Words: Angel Neal Photography: Ssam Kim Styling: Jai Simmons Make-Up: Akini Shimizu Miss Darcei is shifting the conversation—and the color spectrum, in an industry often slow to adapt and quick to exclude. Known for her radiant skin, sharp cultural commentary, and unmistakable love for all things Korean beauty, the Toronto-based creator has grown from a YouTube hobbyist to a disruptive force at the intersection of beauty, representation, and identity. She’s not just part of the conversation—she’s changing its direction.“I didn’t see anyone like me doing K-beauty,” Darcei says. “So I flipped the script. I made myself the person I needed to see.” That flip became Black Girl Tries —the viral video series that redefined her platform and made her a leading voice in a space not historically built for Black creators. “I started trying Korean makeup tutorials made by people who didn’t look like me at all,” she recalls. “And the wildest part? A lot of it actually looked good.”The response was immediate—and emotional. Messages from Black women around the world poured in, thanking Darcei for making it okay to try products they’d long been taught weren’t “for them.” What started as a playful experiment became a cultural movement. “I grew up feeling like I was the only Black girl into K-pop, K-dramas, Korean skincare... and then I found this community. That’s the beauty of the internet—it helps you find your people.” In April 2024, Darcei became the first Black creator to collaborate with cult-favorite Korean skincare brand PARNELL, co-developing an unprecedented 40-shade foundation range for their Cicamanu Serum Foundation . “It was incredible,” she says. “PARNELL now has the most dark shades of any Korean brand. And they listened—not just darkening their existing colors, but understanding undertones, finish, and wear.” “It’s not just about going darker. You need real people—Black people—inside these companies or consulting, so it’s done right. Otherwise, you end up with shades that are too gray, too yellow, or just totally off.” The collaboration wasn't just historic; it was intentional. Darcei tested each formula from her Toronto apartment, sending detailed feedback until every shade was right. “There’s this idea that Korean beauty isn’t for us. But why not? The products are amazing. The only thing missing was representation.” That kind of inclusive development is rare in K-beauty, where most brands cater to a largely monocultural domestic market. But the tides are turning.“Now when I’m in meetings, I’m seeing Black Americans working in Seoul at these companies,” Darcei says. “That’s huge. That’s real change.” Darcei doesn’t just sell lip gloss. She critiques beauty culture while participating in it, using her platform to explore identity, representation, and joy—all through a highlighter-dusted lens. But she never forgets to have fun. “At the end of the day,” she laughs, “it’s just foundation. It’s not life or death. I’ll still speak up when something’s not right—but I keep it lighthearted. Because that’s just me.” Still, the responsibility of being a cultural critic and digital creator can be heavy. “Especially as a Black creator, you’re forced into talking about inclusivity,” she explains. “You’re getting sent all these products, and half of them you can’t use. Of course you're going to have something to say.” Darcei’s voice has struck a nerve—because it’s not only about makeup. It’s about possibility. Her work has helped mainstream K-beauty in North America, expand shade ranges, and foster a generation of Black women who feel seen in spaces that once excluded them. It’s why winning the Streamy Award for Beauty in 2022—as the first and still only Black creator to do so—felt less like a personal win, and more like a community milestone. “I didn’t think I’d win. I was the smallest creator on that list. I just wanted to walk the carpet, experience my first award show… and then they said my name.” That moment was a turning point. “It shifted everything. It told me I belong here,” she says. She also keeps her content rooted in joy, often merging her love of theater and performance into her videos. Whether she’s doing full-body sunscreen reviews or breaking into random song, her flair for the dramatic is part of the charm. “I was a competitive dancer and a wicked theater kid. It definitely shows,” she laughs. “People tell me, ‘You need to sit still,’ but that’s just not me.” Beyond the screen, Darcei’s creative energy flows from unexpected places—like her monthly book club. “I wanted to get back to my childhood hobbies, like reading. That opens me up creatively in all parts of my life.” And while she’s got her eye on a future beauty brand—maybe blushes, maybe something pink—she’s clear about what matters most. “I want my legacy to be that I changed the perspective,” she says. “Growing up, beauty for Black people was always tucked away in the corner. Now we’re saying, actually, we can use that too.” The Disrupshion 5: THOUGHTS ON.... Darcei's thoughts on using her influence: “I want to use my influence to open up people’s minds—to express themselves however they want, with whatever products they want. It makes no sense to keep people in boxes.” Something we all know but bears repeating: “Closed mouths don’t get fed. You have to speak up. That’s how change happens.” On learning to trust her intuition: “When I trust my gut and do my own thing—even if it’s not trending—that’s when the magic happens. My biggest videos came from me following that instinct.” If she could disrupt any corner of beauty next: “Blush. No one’s talking enough about how blush, bronzer, and lipstick are still so non-inclusive. It's not just foundation.” In 10 years, what she hopes people say she changed: “That I changed perspective. That I helped show Black people can and should be included—everywhere.” Darcei didn’t set out to shake up the beauty world. She just wanted to have fun with some lip gloss and maybe sing a little on camera. But through bold authenticity and boundary-pushing collaborations, she’s doing something far more powerful: building a beauty world that’s big enough—and bright enough—for all of us.

Actress. Comedian. Host. Writer. Singer. Disruptor. Yasmine Sahid has never been one to stay in a single creative lane—and she’s finally getting her moment to shine on her own terms. With over 3 million fans online, a breakout role in the new Prime Video series Overcompensating , and a creative spark that never seems to dim, Sahid is boldly crafting a space for herself in the entertainment world—one laugh, lyric, and layered performance at a time. We caught up with the internet-born star to talk comedy as catharsis, representation in Hollywood, and what it means to stay grounded when your dreams are coming true before your very eyes. Interview By : Angel Neal Photographer : Ben Cope Stylist : Jasmine Woolfork MUA : Laci Johnson Hair : Rachel Lita Sahid’s journey into comedy content creation wasn’t born out of a grand master plan—but rather a candid conversation in the most unexpected of places. “It was during the pandemic. I was literally in a pool with my friend,” she laughs. “We were talking about TikTok and I just said, ‘Everybody’s getting famous off TikTok—I want to get famous off TikTok.’ And then I just did it. I started posting consistently, and things took off from there.” What started as casual content quickly became something deeper. “I was tired of waiting for someone to give me a break in entertainment,” she explains. “So I just decided—I’ll make my own.” Yasmine credits her early love of sitcoms and sketch comedy as the foundation of her comedic voice, but it’s more than just making people laugh—it’s about connection, and sometimes, survival. “Comedy was always an escape for me,” she shares. “It’s a way to feel like I’m bringing joy to people—even when I’m struggling myself.” Growing up, she wasn’t the loudest in the room, but she was certainly one of the funniest. “I wouldn’t call myself the class clown,” she says with a grin, “but I was definitely trying to make people laugh. Whether it was at school, at home, or on stage—I liked the idea that I could bring people comfort, even for a moment.” In Prime Video’s upcoming dramedy Overcompensating , Sahid plays an eager outsider trying to find her place in a new environment—something she relates to deeply. “In high school, I was a lot like her—really outgoing, trying to be friends with everybody,” she says. “Now, I’m more guarded with my circle, but I totally remember that feeling of wanting to fit in and find your people.” When she first read the script by internet-favorite-turned-showrunner Benito Skinner, it felt like fate. “I’d followed Benny for a long time, so when I saw he had a show, I was like, ‘I have to be in this.’ And luckily, they wanted me too!” The experience on set, she says, was a dream. “Everyone was so nice—like, genuinely kind and collaborative. You always hear horror stories about working in TV, but this was the opposite. It was one of those ‘Is this really happening?’ moments.” As a Black Sierra Leonean-American woman in Hollywood, Sahid is conscious of how she chooses roles—and which ones she avoids. “I’ve seen my share of stereotype-heavy scripts. But I’m picky,” she says. “Black people are not a monolith. I want to play characters that reflect the full spectrum of who we are—not just the tropes.” That pride in her identity was instilled early. “My family never made me feel like I had to hide where I come from. We ate African food, listened to Sierra Leonean music—it was just normal. I’m lucky for that.” Sahid isn’t waiting for the industry to define her. In addition to acting, she’s also writing a play, working on original music, and releasing her latest single—a sultry jazz cover of “Old Devil Moon.” “Most of my music so far has been comedic or rap-based,” she says. “This one is more serious, more romantic. I love jazz and ballads, so it’s just a snippet of that side of me.” Even with so many ventures on the go, she lets instinct guide her next move. “It really depends on what I’m feeling emotionally. Right now, I’m drawn to music and writing, but that could change. I just go where the creativity takes me.” With millions of fans and major industry moments under her belt—including hosting at the Oscars and appearances at the Aim Far Gala for TikTok—Sahid still finds ways to stay down to earth. “I lived in L.A. before the numbers came, so I had time to set my foundation first,” she explains. “And my friends? They’ll humble me real quick if I start acting too big.” Despite her growing fame, she insists she hasn’t “arrived” yet. “There’s still so much I want to do. I don’t ever want to get too in my head. I’m just trying to take it one step at a time. When asked what kind of legacy she hopes to leave, Sahid doesn’t skip a beat. “I want to be remembered as a creator who wasn’t afraid to try new things,” she says. “Disruption means shaking things up—and I think we need more of that. Hollywood loves sameness, but that’s not where magic comes from.” As for what’s next? “More writing. More music. I’m working on getting a play produced this year. I’m trying to do it all,” she says with a smile. “Because if I don’t, who will?” Yasmine Sahid is no longer waiting for permission. She’s too busy building her own universe—on screen, online, and beyond. With heart, humor, and hustle, she’s not just in the room—she’s redefining it. And if Overcompensating is any indication, this is only the beginning. To keep with all things Yasmine Sahid follow her here @ yasmine_sahid .

From rejections to red carpets — how he’s changing the game."Pure joy. That’s all I felt." That’s how Mekonnen Knife remembers the moment he landed his biggest role yet — Vargas in Disney’s ZOMBIES 4: Dawn of the Vampires . He was in an airport when the call came through. He went "ballistic." Laughing, screaming, maybe even tearing up. And who could blame him? For the 19-year-old actor and dancer, who once grew up watching Disney Channel from halfway across the world, joining the beloved ZOMBIES franchise wasn’t just a job — it was a full-circle dream. “It still doesn’t feel real,” he says. “I get to be that guy now.” Words/Editor In Chief: Angel Neal Photography: JSquared Photography Stylist: Marquise Miller & Aaron Christmon In Dawn of the Vampires , Vargas is the vampire with heart — a friend, a leader, the emotional center of his crew. And for Knife, the connection to the character was immediate. “He’s loyal, he’s funny, he’s the glue of the group. That’s who I am in my real life, too.” But playing Vargas wasn’t just about charm — it meant stepping into a legacy. The ZOMBIES franchise is known for its themes of inclusion, otherness, and friendship. “It was a big responsibility,” Knife says. “But the cast — Milo, Meg — they took us in like family. That meant everything.” Knife’s journey to Hollywood didn’t start on a film set. It began at age 12, when he first stepped into a dance studio. With no formal training and no real experience, he landed a full scholarship and spent two years catching up to peers who had danced since age two. “It taught me work ethic. I had no choice but to push harder.” Those early lessons have stayed with him — through modeling gigs, rejection-heavy auditions, and now, hours of choreography rehearsals for both ZOMBIES 4 and the World’s Collide Tour , which merges ZOMBIES and DESCENDANTS on stage for the first time. “It’s hard work,” he says. “But I love the process. Rehearsing with the team, seeing everything come to life — that’s the real magic.” Fun fact: before he was being interviewed, Mekonnen Knife was the one holding the mic. He used to host red carpet interviews back in Australia. Now? “Being on the other end of the questions feels surreal,” he admits. “But I love it.” His curiosity and empathy shine through — especially when talking about his roots. “I grew up in Ethiopia. I didn’t see people who looked like me on screen. That’s why I got into this — to change that.” For Knife, success isn’t measured in social media followers or premiere red carpets. It’s about impact. He’s an advocate for mental health, especially within fast-paced creative industries. “This world moves so fast. If you don’t slow down, it’ll burn you out. I’ve learned to journal, to call my friends, to take care of my mind.” He’s also deeply involved with the GraceCentre Foundation , a family-focused nonprofit that supports underprivileged children. “It’s about remembering where I came from, and using this platform to help.” Knife is proud of his heritage — and grateful. “It keeps me grounded,” he says. “Everything I do, I do with that part of me. For the kid I used to be.” He’s open about the struggles too — the disappointments, the almosts . Like the time he auditioned for Baz Luhrmann’s Elvis and didn’t get the role. “I was crushed,” he says. “But then I saw the film, and the character’s lines didn’t even make the final cut. It taught me: nothing is wasted. Every ‘no’ leads to a better ‘yes.’” If there’s one genre Knife is dying to explore, it’s action-comedy. “I flip. I do acrobatics. I want explosions, stunts, superhero moves.” His dream role? Miles Morales in a live-action Spider-Man . “That’s the role. If it ever happens, I’d give it everything.” But he’s also curious about comedy, even horror (despite admitting he can’t actually sit through scary movies). “I’m open to anything that lets me move, explore, play.” So what does Knife want young fans — especially those who see themselves in him — to take away from his journey? “ I hope young fans do what they love—because they love it. Do it because you love it. Not for followers. Just because it lights them up. Not for hype. Love is the only fuel that lasts.” He pauses. Then adds: “I hope I get to be that person someone watches and says, ‘That guy looks like me. If he did it, I can too.’ That’s the dream. That’s why I’m here.” Knife knows he’s become the kind of role model he once searched for. “If one kid watches ZOMBIES 4 and says, ‘I want to be like that guy’—then I’ve done my job.” Knife may be poised for global stardom, but at heart, he’s still the kid who FaceTimes his cat from hotel rooms. “My cat’s a diva. He’s like me — independent and dramatic,” he laughs. Along with two beloved cavoodles, Nugget keeps Knife connected to home. So much so that before flying to LA, he made a custom T-shirt featuring all three pets and wore it on the plane. “We don’t deserve animals. They’re better than us.” “If I could tell 12-year-old me anything, it’d be: trust the process. The ‘no’ you get today could be leading to the best ‘yes’ of your life.” ⚡ QUICKFIRE WITH MEKONNEN KNIFE Dream destination: Tokyo Post-project reset: Beach with friends or go-karting Favorite Disney moment so far: Stepping on set for the first time Secret talent: Can flip like Spider-Man Guilty pleasure: Bowling solo Bucket list still waiting: Skydiving Mekonnen's Mindful Musts 🎧 FaceTime friends to stay grounded 📓 Journals between shoots 🐾 Travels with a T-shirt covered in photos of his cat (Nugget) and two dogs 🛹 Skateboarding, beaches, bowling, and laser tag to unwind 🎮 Nintendo over Netflix any day ZOMBIES 4: Dawn of the Vampires premieres this summer on Disney+. Catch Mekonnen Knife live on the “Descendants/Zombies: Worlds Collide Tour” V is a one-of-a-kind interactive live concert experience coming to arenas across North America in Summer 2025. Tickets are on sale now here: BUY TICKETS .